July 2008 - Solar-general - lists.ourproject.org

[OT] Laburo en Java mobile
by Pablo Manuel Rizzo 17 Jul '08

17 Jul '08

Escribir a adrian.scotto(a)gmail.com ---------- Forwarded message ---------- From: Adrian Scotto <adrian.scotto(a)gmail.com> Date: 2008/7/17 Subject: Laburo en Java mobile Hola master! Hay otro laburo medio de "tu palo", en java con tecnologías mobile. La persona sí o sí tiene que saber mobile para Java (J2ME). Para este caso, la persona tiene que poder asistir 20 hs por semana (hay flexibilidad para la distribución de esas horas en la semana) -- Pablo Manuel Rizzo ---------------------------------------------------------------------- Aunque supiera que el mundo se acabará mañana, Igual plantaría mi manzano. -- Martin Luther King -- ----------------------------------------------------------------------

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SEGURIDAD, excelentes declaraciones de linus
by Diego Saravia 17 Jul '08

17 Jul '08

http://article.gmane.org/gmane.linux.kernel/706950 -- Diego Saravia Diego.Saravia(a)gmail.com NO FUNCIONA->dsa(a)unsa.edu.ar

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Conocen cursos de C y C++ recomendables?
by Pablo Manuel Rizzo 16 Jul '08

16 Jul '08

Me gustaría tomar un curso de C y/o C++, pero temo ensartarme con algun curso berreta y perder tiempo. No quiero algo que empiece de cero con sintaxis C y conceptos básicos, cosa que ya conozco, sino concretamente desarrollo en C sobre GNU/Linux, tecnicas, arquitectura, buenas prácticas, herramientas, etc. Conocen algo así que puedan recomendar sabiendo que es de primera? Gracias -- Pablo Manuel Rizzo ---------------------------------------------------------------------- Aunque supiera que el mundo se acabará mañana, Igual plantaría mi manzano. -- Martin Luther King -- ----------------------------------------------------------------------

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Fwd: Today's Senate hearing on enforcement
by Diego Saravia 16 Jul '08

16 Jul '08

debates "empresarios" en eeuu ---------- Forwarded message ---------- From: Seth Johnson -------- Original Message -------- Subject: [A2k] Today's Senate hearing on enforcement Date: Tue, 15 Jul 2008 18:45:19 -0400 From: Manon Ress <manon.ress(a)keionline.org> To: a2k discuss list <a2k(a)lists.essential.org> Today's hearing at the Senate Finance Committee "International Enforcement of Intellectual Property Rights and American Competitiveness" July 15, 2008 at 10:00 a.m., in 215 Dirksen Senate Office Building Member Statements: Max Baucus, MT Charles Grassley, IA Witness Statements: Andrew Lack, Chairman, SONY BMG Music Entertainment, New York, NY Jeffrey Kindler, Chairman & Chief Executive Officer, Pfizer Inc., New York, NY John Barton, George E. Osborne Professor of Law, Emeritus, Stanford Law School, Stanford, CA J. Walter Cahill, International Vice President, International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts, Washington, DC http://finance.senate.gov/sitepages/hearing071508.htm Andrew Lack: QUOTE The content community, governments, consumers, and ISPs themselves are beginning to respect the notion that the carriers of digital content must play a responsible role in curbing the systemic piracy that is threatening the future of all digital commerce. Industry has been hard at work on these critical issues, but we need the help of the U.S. and foreign governments to make the Internet safe for e-commerce in copyrighted material by encouraging marketplace solutions to take hold. END of QUOTE Testimony of Andy Lack Chairman, SONY BMG Music Entertainment before the Senate Finance Committee on International Enforcement of Intellectual Property Rights and American Competitiveness July 15, 2008 Good morning. My name is Andy Lack, and I am Chairman of SONY BMG Music Entertainment. Thank you for the opportunity to address the Committee on the issue of intellectual property protection in global markets. I commend Chairman Baucus, Ranking Member Grassley, and the members of the Committee for recognizing that this issue is of great importance to the entire U.S. creative community, as well as to the U.S. economy and to U.S. society as a whole. This Committee has been a tremendous champion for strong and effective copyright protection in global markets, and I thank you for your leadership. Sony BMG is a recorded music joint venture that operates in more than 40 markets around the world and employs approximately 2300 workers in the United States. Headquartered in New York, SONY BMG is one of the four major record companies in the music industry. I think it's worthwhile to highlight that, even though SONY BMG is a global company with integrated interests in all facets of the music business, ultimately our assets are thoroughly intangible because they are based in the creative work of the artists themselves. For this reason, economic survival in the music industry is reliant upon the adequate protection of intellectual property. The stakes for our national economy are high. It has been reported, and the Administration has so testified before Congress, that roughly 40% of the U.S. economy is dependent upon IP protection in one way or another, and the core copyright industries are alone responsible for an estimated 6% of U.S. GDP. But the continued growth of this vital economic sector is seriously at risk. This Committee has highlighted the importance of the global fight against piracy, and we need your help now more than ever. My industry's story is but one, yet it is telling: While people listen to more music today than at any point in recorded history, paid consumption is sharply down, as piracy and the acquisition of music through illegal channels continues to skyrocket. Creating opportunities for business growth is critical to ensuring the survival of one of the world's most vital, diverse and competitive industries. The record industry currently faces a piracy phenomenon on two fronts. One involves the physical marketplace, in which we confront increasingly organized and multinational criminal enterprises involved in massive production and trafficking of pirate CDs and other optical media. The second front of the piracy war exists in the online marketplace. Here, too, global criminal organizations are engaged in illegal distribution directed at generally law abiding citizens who, in the privacy of their own homes, are now actively involved in trading or sharing unauthorized recorded music files. It is necessary that any global IP protection regime address the piracy problem on both the physical and digital fronts. Music companies are not alone in confronting the pernicious threat of counterfeit products and digital theft. A coalition spearheaded by the U.S. Chamber of Commerce and the National Association of Manufacturers, The Coalition Against Counterfeiting and Piracy (CACP), has highlighted the broad scope of the threat that counterfeiting and digital theft poses to the U.S. across more than two dozen sectors of the U.S. economy. The Coalition has emphasized that the threat from counterfeiting and digital theft robs the U.S. economy of hundreds of billions of dollars of GDP and hundreds of thousands jobs, threatens health and safety in many sectors, and is driven by organized crime. SONY BMG has employed a multi-pronged strategy to address these challenges. First, we are expanding legitimate avenues for digital distribution through creative new business models and experimental licensing arrangements. Second, we are educating the public and our industry partners about the risks involved with piracy and steps they can take to curb infringement. And, finally, we are taking enforcement actions against infringers, and against services that effectively encourage or induce infringement. However, a company like SONY BMG, and copyright industry bodies like RIAA, cannot fight piracy on our own. Today's pirates often operate through multinational criminal syndicates simultaneously involved in replication, printing and distribution around the globe. They rely on traditional means of avoiding punishment such as bribery and other forms of corruption, but also have new tools in their arsenal that increase their stature -- force and other threats of violence, and the ability to rapidly change the location of the various components of their enterprises when confronted with governments prepared to tackle piracy issues. Pirates actively seek out jurisdictions in which either the law, lax enforcement of the law, or the general inefficiency and corruption of the judicial system, offer relative safety for their operations. Company representatives and counsel have in some countries already experienced threats on their lives or physical intimidation when their investigations began to make progress. In some cases, this has prevented any enforcement activity by the private sector. We therefore look to the U.S. Government for leadership, at home and in bilateral and multilateral settings, to keep intellectual property protection at the top of the enforcement agenda and ensure that law enforcement agencies have the necessary tools and underlying legal framework to accomplish their goals. Adequate enforcement requires adequate resources, and to that end we believe that law enforcement must have dedicated personnel who are focused on seeking out and stopping illegal trafficking in pirated goods. The U.S. Government should encourage countries with existing organized crime laws and investigative procedures to bring them to bear against syndicate operations involved in piracy. And where such laws and procedures are not in place, the U.S. Government should encourage governments to adopt them and to include, among predicate offenses, intellectual property rights violations. Aggressive and constant monitoring of the implementation of bi- and multilateral trade agreements by our trading partners to ensure compliance is of paramount importance, and we salute the work that USTR, working with other U.S. Government agencies, does in this regard. We also applaud the U.S. Government for the actions it has taken to make China accountable for its piracy problem, specifically through the filing of actions at the WTO. Congress can continue to play a role in helping to ensure that our trading partners meet their obligations to provide adequate and effective copyright protection by holding oversight hearings such as this, by ensuring that the Administration has adequate resources to safeguard this unique American asset, and by ensuring that all trade programs provide maximum leverage to require beneficiary countries to provide effective copyright protection. Unilaterally extended U.S. benefit programs crafted by Congress continue to play a key role in providing incentives to countries to meet their IPR obligations. This Committee should also continue to pay close attention to Russia's accession to the World Trade Organization (WTO). The Russian government wishes to join the WTO; however, to date they appear unwilling to take sufficient actions against rampant copyright piracy as they are required to do by the bilateral IPR agreement concluded between Russia and the United States in November 2006. We strongly advocate that the U.S. Government not complete the WTO accession process with Russia until Russia takes actions that effectively address this critical problem. There have been some promising developments in Russia, but compliance with the bilateral agreement that has been called the "roadmap to WTO accession" has not yet been achieved. We are particularly concerned by the lack of government action against the individuals responsible for allofmp3.com and other similar online sites, and against the rogue licensing societies that purported to grant licenses for content that they did not control. SONY BMG, in line with the industry as a whole, has been adapting our business to the dramatic changes brought about by the digital age. In the US, only five years after the music download business first emerged in a commercially meaningful way, 23 per cent of all recorded music sold is online or mobile. Record labels are becoming broad-based entertainment companies, developing new revenue streams. The consumer has better choice, availability and flexibility in enjoying music than ever before. Our digital revenues are growing and diversifying as our business model changes from one dominant format to hundreds of channels and products. However, while broadband Internet access offers exciting prospects for the legitimate dissemination of copyrighted materials of all kinds, too often high-speed Internet connections are being used to distribute unauthorized copies of sound recordings, software, videogames, literary material, and motion pictures. The unprecedented growth of the Internet and increased availability of broadband connections, coupled with the absence of adequate copyright law and/or enforcement in the online environment in many countries, has provided pirates with a highly efficient distribution network to reach the global market. Pirates offering and distributing infringing product can now reach any part of the world with ease, regardless of where they are physically located. Consequently, the U.S. copyright industries face the daunting task of trying to enforce their legal rights in an online world where borders and distances have decreasing practical significance, and where anonymity is claimed. What tools do we have to address this type of online piracy where legal action by the industry does not suffice? First, of course, we have the framework of international trade law discussed above. But industry and government must also work together to address the particular legal and technological challenges of the electronic marketplace. The so-called WIPO Internet treaties adopted in 1996 set the stage for fair international digital distribution of music. These treaties represented significant and necessary improvements in the international legal structure. Of greatest importance, the treaties made it absolutely clear that copyright holders are permitted to control the electronic delivery of their works to individual members of the public. This both anticipated and responded to the realities of the electronic marketplace, where copyright owners rely increasingly on electronic delivery to meet consumer demand. This level of copyright protection, in conjunction with technical protections (also addressed in these treaties), is key to encouraging copyright owners to make their works available through these new media. It is critical that the marketplace, with government support, continue to develop its own solutions. To that end, SONY BMG and other content companies have begun to engage in a dialogue with our industry partners to find new ways to cooperate in the fight against piracy. In particular, this past year has witnessed a virtual explosion of global public interest in developing structures in which Internet Service Providers (ISPs) can enhance their role in addressing the unauthorized transmission of copyright content. This is an important development, because until now ISPs have not adequately responded to the massive theft that is occurring through their networks. Today, however, a shift is underway. The content community, governments, consumers, and ISPs themselves are beginning to respect the notion that the carriers of digital content must play a responsible role in curbing the systemic piracy that is threatening the future of all digital commerce. Industry has been hard at work on these critical issues, but we need the help of the U.S. and foreign governments to make the Internet safe for e-commerce in copyrighted material by encouraging marketplace solutions to take hold. Furthermore, renewed emphasis on law enforcement training is vital to giving enforcement authorities the tools they need to quickly locate infringing Internet sites and pursue actions against the offenders who commit the most damage and/or refuse to remove the infringing content. Public education about the dangers of online infringement must be emphasized as well. As global boundaries continue to lose much of their practical relevance because of Internet growth, so must the usual lines separating the roles of industry and government in policy, enforcement and education. Close coordination will be the key to success in this challenging new environment. Finally, I mentioned the broad-based CACP coalition earlier and I would urge the Committee to give positive consideration to proposals the CACP has endorsed with respect to the creation of high-level leadership positions in the Department of Homeland Security, Customs and Border Patrol and other agencies, as well as the deployment of dedicated agents with adequate legal tools to protect our borders against counterfeiting and digital theft. Page - 5 - CONCLUSION Effectively addressing piracy in all of its variants is a key economic and cultural objective for the United States. Congress, the Administration and the private sector must work together to achieve this goal. Trade pressure and capacity-building through effective training continue to be primary mechanisms for encouraging foreign nations to address inadequacies in their legal and enforcement frameworks, and I urge the Committee to ensure that the Administration has all the possible tools at its disposal to exert such pressure and to provide necessary training. To this end, it is critical that the Administration be funded in such a way as to permit them to use their powers to the maximum extent, and I urge the Congress to appropriate sufficient funds to protect America's most creative, vibrant and profitable industries. We can and must prevail in these initiatives. Once again, I thank you for inviting me here today, and I look forward to your questions. *************************************************************************** Manon Ress manon.ress(a)keionline.org, 1621 Connecticut Ave, NW, Washington, DC 20009 USA Tel.: +1.202.332.2670, Fax: +1.202.332.2673 _______________________________________________ A2k mailing list A2k(a)lists.essential.org http://lists.essential.org/mailman/listinfo/a2k -- Diego Saravia Diego.Saravia(a)gmail.com NO FUNCIONA->dsa(a)unsa.edu.ar

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ayuda con script
by Diego Saravia 16 Jul '08

16 Jul '08

este es un viejo script que necesito reflotar se animan a probarlo en cuanta maquina conozcan o quieran y decirme si funciona? desde ya acepto risas, criticas, sugerencias o mejoras gracias #!/bin/bash export HTTPDUSER=`ps -eo user,args|grep 'httpd'|grep -v 'root'|tail -n1|awk '{print $1}'` if test $HTTPDUSER; then export HTTPDGRP=`ps -eo group,args|grep 'httpd'|grep -v 'root'|tail -n1|awk '{print $1}'` export HTTPDCONF=`ps -eo user,args|grep 'httpd'|grep -v 'root'|tail -n1|perl -e '$a=<>;$a=~/-f ([\.\w\/]+)/;print $1'` else export HTTPDUSER=`ps -eo user,args|grep 'apache'|grep -v 'root'|tail -n1|awk '{print $1}'` export HTTPDGRP=`ps -eo group,args|grep 'apache'|grep -v 'root'|tail -n1|awk '{print $1}'` export HTTPDCONF=`ps -eo user,args|grep 'apache'|grep -v 'root'|tail -n1|perl -e '$a=<>;$a=~/-f ([\.\w\/]+)/;print $1'` fi #IFS=: CAMINO="/etc /usr/local /usr /opt" for H1 in $CAMINO; do for H2 in /apache2 /apache/conf /httpd/conf /httpd ""; do for H3 in /default-server.conf /vhosts.d/default_vhost.include /sites-available/default.dpkg-dist /apache.conf /httpd.conf; do HP="$H1$H2$H3" #echo "# $HP" if test -e $HP; then HTTPDCONF=$HP export HTTPDPROOT=`cat $HTTPDCONF| awk '/^[\s\t\b]*DocumentRoot / {print $2}'|sed 's/"//g'` #echo $HTTPDCONF - $HTTPDPROOT if test $HTTPDPROOT; then break 5 fi fi done done done if test $HTTPDCONF; then export HTTPDCONF export HTTPDPROOT=`cat $HTTPDCONF| awk '/^[\s\t\b]*DocumentRoot / {print $2}'|sed 's/"//g'` export HTTPDROOT=`echo $HTTPDPROOT|awk '{print $1}'` export HTTPDPCGI=`cat $HTTPDCONF| awk '/^[\s\t]*ScriptAlias / {print $3}'|sed 's/"//g'|sed 's/\/$//'` export HTTPDCGI=`echo $HTTPDPCGI|awk '{print $1}'` fi #echo "Detecta caracteristicas del Apache" echo USR=$HTTPDUSER echo GRP=$HTTPDGRP #echo CONF=$HTTPDCONF echo WEBDOC=$HTTPDROOT echo WEBCGI=$HTTPDCGI if ! test $HTTPDUSER; then echo "#EL APACHE NO TIENE USUARIO, estara apagado?, esto es cpturado y no sale, arreglar" fi -- Diego Saravia Diego.Saravia(a)gmail.com NO FUNCIONA->dsa(a)unsa.edu.ar

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Fwd: [FFII-latin] La junta departamental de Salto pasa a SL
by Pablo Manuel Rizzo 16 Jul '08

16 Jul '08

---------- Forwarded message ---------- From: Fernando Da Rosa Subject: [FFII-latin] La junta departamental de Salto pasa a SL Acá les mando adjunto el texto con el número de resolución, recién publicado. Saludos Fernando -- Pablo Manuel Rizzo ---------------------------------------------------------------------- Aunque supiera que el mundo se acabará mañana, Igual plantaría mi manzano. -- Martin Luther King -- ----------------------------------------------------------------------

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¿cultura libre? y explotadores
by Diego Saravia 16 Jul '08

16 Jul '08

---------- Mensaje reenviado ---------- De: Sandra Parra este poema es más representativo de la realidad :-) PSICOLOGIA AL DIA BUENA FE Te atraparé por el cuello y te lo voy a apretar, mas te exijo firmemente no te puedes quejar porque me da jaqueca, me pone malhumorado, si a fin de cuentas estar ahorcado no es tan malo. Mirémoslo así, seamos positivistas, desde un punto de vista: Ecologista. Si tú tienes el recurso y yo tengo el capital, tú me das el primero yo te puedo prestar así tu economía aumentará (tal vez), trabajarás y yo te cobro el interés. Así contaminas tú y como no lo hago yo, es mucho mejor que si contaminamos los dos. Te atraparé por el cuello y te lo voy a apretar mas te exijo firmemente no te puedes quejar porque me da jaqueca, me pone malhumorado si a fin de cuentas estar ahorcado no es tan malo. Mirémoslo así seamos positivistas, desde un punto de vista: Humanista. Y si el mundo es así y no lo puedes cambiar ni malgastes tu tiempo pensando en los demás. Cada cual es un mundo y tú ¿Qué vas a hacer? Estamos en la tierra para gozar y comer. y sobre aquellos que tengan vacias las ollas ¿que hacemos con esa gente? asi el negocio funerario se desarrolla. Te atraparé por el cuello y te lo voy a apretar mas te exijo firmemente no te puedes quejar porque me da jaqueca, me pone malhumorado si a fin de cuentas estar ahorcado no es tan malo. Mirémoslo así seamos positivistas, desde un punto de vista: teologista. Y si mi riqueza que causa recelos o envidia malsana del alma destierra recuerda que yo para llegar al cielo tengo que hacer donativos aqui en la tierra ¿y como voy a donar si para eso primero debo educar mi voluntad, debe sobrarme el dinero? no vamos a parar hasta oirles decir los que otros ya por ahi- repiten sin cesar Atrapame por el cuello me lo puedes apretar te prometo firmemente no me voy a quejar si al fin de cuentas estar ahorcado no es tan malo ya lo veras asi de un modo conformista desde un punto de vista: Esclavista. jajaja perdòn por desordenar la lista!! --- On Wed, 7/16/08, Francisco Palm <francisco.palm(a)gmail.com> wrote: > From: Francisco Palm <francisco.palm(a)gmail.com> > > ¿cultura libre? > > > > me van a tener que perdonar > > porque quizás mis palabras > > tengan hoy acento de herejía > > porque me veo en la obligación > > de darle la razón al adversario > > > > me van tener que disculpar > > porque hoy tengo que decirles > > que tiene toda la razón teddy bautista > > no tiene sentido que la cultura sea libre > > si no es también libre la vivienda... > > > > lo dije hace como tres años > > en una charla de tecnopijos > > que pensaban que podían ser libres > > porque tenían un módem > > y se bajaban películas > > > > y se bajaban canciones > > en una casa que nunca sería suya > > porque nunca terminarían de pagarla > > en una vida que nunca sería suya > > porque por siempre serían esclavos > > > > nadie entonces me hizo caso > > no querían escuchar voces incómodas > > estaban muy ocupados > > riendo las gracias de quienes decían > > lo que todos querían oír > > > > copiad y seréis libres > > copiad y se os dará > > copiad copiad copiad > > no tengáis miedo > > podréis seguir copiando siempre > > > > han pasado tres años desde entonces > > y seguimos peor de lo que estábamos > > cada día tenemos más películas > > y cada día somos menos libres > > para todo lo que no sea grabar discos > > > > hemos caído en la red > > y creemos que la red nos hace libres > > la red nos da cuanto necesitamos > > sin salir de nuestro cubil y sin pagar > > pero sin molestar a nuestros dueños > > > > no sé por qué preocupa tanto al sistema > > que nos bajemos todo de internet > > si esa es precisamente la forma > > de controlar mejor a la gente > > domesticarla consumiendo > > > > sentimos que nos persiguen > > y nos sentimos un poco culpables > > y gracias a eso seguimos valorando > > aquello que no tiene valor alguno > > la paz social salió barata > > > > hemos conseguido tener de todo gratis > > si exceptuamos lo más imprescindible > > seguimos en manos de la banca > > cada día somos más necios > > y cada día somos más pobres > > > > la cultura no puede ser libre > > si no lo es también el hombre > > la cultura no puede ser más que la comida > > ni el vestir ni la vivienda > > ni el derecho a un trabajo digno > > > > la cultura no es quedarse > > encerrados en cuatro paredes > > llenando manifiestos digitales > > sin más compromiso que un sillón > > sin arriesgar lo más imprescindible > > > > no hay cultura libre sin un pueblo > > dispuesto a salir a luchar > > para pedir aquello que es de todos > > aquello que no se puede conquistar con un ratón > > sino llenando las calles y avenidas > > > > no tenemos más derechos > > que aquellos que podamos conquistar > > con la fuerza de nuestros pies y nuestras manos > > no tenemos nada más > > que aquello por lo que estemos dispuestos a perderlo > todo > > > > quizás tenemos que aprender > > que sin libertad no puede haber cultura libre > > que sin todos los demás derechos > > de nada sirve el opio > > con que se adormece a los necios > > > > si dejamos que sean otros los que canten > > olvidaremos lo que sabían nuestros viejos > > hemos de seguir cantando por nosotros mismos > > cantando contra el miedo contra la rabia > > cantando aunque sea para disimular el hambre > > > > cantemos como cantó siempre el pueblo nómada > > que las canciones son como la tierra > > y sólo tienen sentido > > cuando se ocupan siembran y florecen > > para dar sus frutos a la gente > > > > > > Que opinan ustedes??Texto original en > > http://www.kriptopolis.org/cultura-libre -- Diego Saravia Diego.Saravia(a)gmail.com NO FUNCIONA->dsa(a)unsa.edu.ar

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ot USUARIOS DE fEDORA
by Diego Saravia 16 Jul '08

16 Jul '08

---------- Mensaje reenviado ---------- De: Diego Saravia <dsa(a)unsa.edu.ar> Fecha: 15 de julio de 2008 12:16 Asunto: Re: [Solar-general] ayuda con script Para: La lista de todos y todas en solar <solar-general(a)lists.ourproject.org > http://salta.org.ar/wiki/bin/view/Psicro/Detecta puse alli el script para ser copiado o bajado de un enlace supuestamente tiene los bugs corregidos y algunas mejoras, ademas solo para referencia puse las rutinas de deteccion de distro me interesa especialmente alguna prueba en fedora Enzo, cual es tu sistema? gracias -- Diego Saravia Diego.Saravia(a)gmail.com NO FUNCIONA->dsa(a)unsa.edu.ar -- Diego Saravia Diego.Saravia(a)gmail.com NO FUNCIONA->dsa(a)unsa.edu.ar

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Radiohead produce un video libre con Software Libre
by Marcos Guglielmetti 16 Jul '08

16 Jul '08

http://www.mastermagazine.info/articulo/13196.php Radiohead produce un video libre con Software Libre Unas semanas atrás se rumoreaba acerca de que Radiohead estaba trabajando en un extraño proyecto de video sin cámaras, sólo lásers y datos... la gente estaba muy intrigada. En el video "House of Cards" ("Casa de Cartas", o "Castillo de Naipes"), perteneciente al álbum "In Rainbows", no se utilizaron cámaras ni luces, en cambio, se empleó tecnología de ploteo 3D que recolecta información acerca de los bordes y las distancias relativas de los objetos. El video fue creado enteramente mediante la visualización de esos datos. Incluso la banda se asoció con Google para liberar los datos del video. Las dos tecnologías utilizadas para capturar imágenes 3D son: Informática Geométrica, un sistema de scanneo que produce luces estructuradas para capturar las imágenes 3D en proximidades cercanas, y Velodyne LIDAR, otro sistema que emplea múltiples lásers para tomar grandes ambientes como por ejemplo paisajes. En el video, 64 lásers rotando y disparando en 360 grados 900 veces por minuto produjeron las escenas de exteriores. La banda decidió que, tanto seamos músicos como desarrolladores de software, era genial darle la oportunidad a la gente de ver cómo fue hecho todo esto, e incluso de jugar con los datos mediante una licencia que permita el remezclado de los mismos. Podemos ver el video, también un documental acerca de cómo fue hecho, interactuar con el video en 3D, descargar algunos archivos, etc., todo en code.google.com/radiohead. Dicen que la canción es una interesante mezcla de letras inteligentes y atmósferas, el video es innovador, y el hecho de que sea software libre significa que abre las puertas a un mundo de oportunidades de remezclado. La banda también creó un grupo en YouTube para compartir las versiones alternativas de House of Cards.

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Invitacion: charla introductoria de Plone en UBA - BsAs
by Sebastian Bassi 15 Jul '08

15 Jul '08

Les paso esto de otra lista, creo que da para anunciarlo: From: Roberto Allende <rover(a)menttes.com> To: pyar(a)decode.com.ar Subject: [pyar] Invitacion: charla introductoria de Plone en UBA - BsAs Hola Quisiera invitarlos a la Charla introductoria de Plone en la Universidad de Buenos Aires, actividad organizada por Plone Cono Sur a realizarse el proximo Miércoles 23 de Julio de 2008 a las 15 horas en Biblioteca Central Dr. Luis F. Leloir, Facultad de Ciencias Exactas y Naturales, Universidad de Buenos Aires, Ciudad Universitaria, Pabellón II, Ciudad Autónoma de Buenos Aires.. En la reunión se presentará la charla: Plone 3: una navaja suiza para construir portales e intranets, que hará incapie en el uso de Plone en instituciones educativas(1) y ciencia(2). Tambien se hablará de las actividades que está llevando adelante Plone Cono Sur. Para mas información visitar: http://plone.org/countries/conosur/noticias/charla-introductoria-de-plone-e… Los esperamos. Saludos r. 1. Ver http://www.plone4universities.org 2. Ver http://plone4scientists.org -- Sebastián Bassi (セバスティアン). Diplomado en Ciencia y Tecnología. Curso Biologia molecular para programadores: http://tinyurl.com/2vv8w6 Mostrá tu código: http://www.pastecode.com.ar GPG Fingerprint: 9470 0980 620D ABFC BE63 A4A4 A3DE C97D 8422 D43D

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