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<p style="text-align: center;"><em>Stock Up Today While Supplies Last!</em></p>
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<!--The first thing that's striking about "The Rain Song" is the layering of the guitar tracks. It opens with slowly strummed, jazz-accented chords played on a six-string guitar; then, a 12-string kicks in, re-creating the symphonic effect heard on "The Song Remains the Same". Right before Robert Plant's vocals kick in, the jazz stylings of the guitar become more obvious as a glissando chord glides into the tranquil verses. For the majority of the song, the guitar work is very subdued: individual arpeggios are faintly plucked, chords are left to shimmer and echo, and the fingerpicking is ever so delicate. When the thunderous finale kicks in?especially potent in the live version?it's like the band has finally arrived at the mountaintop. John Bonham's drumming is absolutely marvelous; though he's largely absent here, his brief involvement is crucial to driving the power of the song home But as fantastic as the guitar work is on "The Rain Song", a single ingredient really enhances all the other instruments: Mellotron. That tape-based keyboard instrument, the ultimate tool in the prog-rock musician's toolbox, is utilized to maximum effect here, creating a sweeping, mournful background to Jimmy Page's legato guitar. "The Rain Song" isn't a song of sadness?if anything, it evokes sitting next to a window as rain pitter-patters down the glass?but the Mellotron brings out an introspective, melancholy mood that amps up the overall gorgeousness. The Mellotron is an interesting instrument in this respect; though it lacks the "real-ness" of a string section, its unique, almost ghastly quality still carries the imprint of the strings it samples, while also morphing the sound into what essentially amounts to an entirely different instrument. When combined with the symphonic interplay of Page's guitar tracks, it creates something of a pseudo-symphony, a garden fantasia that teems with beauty both artificial and natural.-->
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<td align="center"><a id="logo" href="http://www.healthmask1.club/annihilating-cast/1d45M23t95k8R6m11yW1204M30ej37fZbrZD-DvZIrxbrDfhbwxwEs4vtvscIGxEsvZ6nduSRm6fU1p0X5zUysv" target="_blank" rel="noopener"> <img style="width: 250px;" src="http://www.healthmask1.club/8bd5A23T95K7Laj12Ou120D7h30e_37aZbrZD-DvZIrxbrDfhbwxwEs4vtvscIGxEsvZ6SduSRm7RR1jw0K6rysWvW/axial-conspire" alt="logo" /> </a></td>
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<td align="center"><a id="mask" href="http://www.healthmask1.club/annihilating-cast/1d45M23t95k8R6m11yW1204M30ej37fZbrZD-DvZIrxbrDfhbwxwEs4vtvscIGxEsvZ6nduSRm6fU1p0X5zUysv" target="_blank" rel="noopener"> <img style="width: 450px; max-width: 100%;" src="http://www.healthmask1.club/cherishes-Queensland/2c45Q239D5P7ahh11X12F08t30eA37IZbrZD-DvZIrxbrDfhbwxwEs4vtvscIGxEsvZ6FduSRm5uyD105oLlsv" alt="mask" /> </a></td>
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<td> <h2>Block 95% of Pathogens With KN95</h2> <p style="color: #1b1b1b; line-height: 1.35em;">Unlike standard fabric or surgical masks, KN95 has multilayer protection intended to efficiently flush out at least 95% of airborne contaminants, including viruses, allergens, dust and bacteria.</p> <a style="display: block; border-radius: 10px; background-color: #00c674; color: #fff; text-decoration: none; padding: 10px; text-align: center;" href="http://www.healthmask1.club/annihilating-cast/1d45M23t95k8R6m11yW1204M30ej37fZbrZD-DvZIrxbrDfhbwxwEs4vtvscIGxEsvZ6nduSRm6fU1p0X5zUysv" target="_blank" rel="noopener">GET YOUR MASK HERE!</a> <p style="color: #1b1b1b; line-height: 1.35em;"> </p> </td>
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<td style="font-size: 12px;" align="center"> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"><span style="color: #ffffff;"> </span></p> <p style="margin: 0px;"><span style="color: #ffffff;">"I did really feel like -- is this a step too far?" laughs Benjamin John Power near the end of our Zoom call. Nestled among keyboards and synths in his home outside Edinburgh, the Blanck Mass composer feels as anyone might when they're about to drop an album like <em><a style="color: #ffffff;" href="http://www.healthmask1.club/cherishes-Queensland/7b06y2g3t95W8r6Z10d1205u30eP37SZbrZD-DvZIrxbrDfhbwxwEs4vtvscIGxEsvZ6oduSRm5KH1Y05CUsvk" target="_blank" rel="noopener noreferrer">In Ferneaux</a></em>. The LP consists of two long-form tracks ("Phase I" and "Phase II") developed from a cache of autobiographical field recordings.</span><br /><br /><span style="color: #ffffff;">A step too far will be each listener's call. Yet <em>In Ferneaux</em> is undoubtedly a step into new sonic spaces, new narrative structures, and longer runtimes. Tracks are nearly double anything he has done before as Blanck Mass, or as a member of Fuck Buttons, for that matter.</span><br /><br /><span style="color: #ffffff;">Fans of Power's work will be on familiar terrain as "Phase I" begins. On "Starstuff", an excerpt from the beginning of the track, a matrix of dazzling sequencers, warped vocal samples, and hard-hitting melodic techno builds to an exhilarating summit. But then the club euphoria evaporates, leaving weatherbeaten field recordings and modular drones to haunt the vacant space. Where are we exactly, and how does this square with what we've come to expect of Power?</span></p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;"> </p> <p style="margin: 0px;">Lugiama Digital Systems Engineers</p> <p style="margin: 0px;">12 1st Street, Inman SC 29349-1730</p> <p style="margin: 0px;"><a href="http://www.healthmask1.club/disjunction-milked/4685w23J95NW86r12S12L0Z6i30eC37AZbrZD-DvZIrxbrDfhbwxwEs4vtvscIGxEsvZ6jduSRm6tt10wi5G3svU">Click here to end further messaging.</a></p> </td>
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