[Solar-general] The advantages of seeing free software as property
Nicolás Reynolds
fauno en kiwwwi.com.ar
Vie Ene 14 02:11:41 CET 2011
Parece interesante, pero no termino de entender el punto del tipo este. (esto
se puede convertir en un hilo al pedo :P)
Title: The advantages of seeing free software as property
Author: Michel Bauwens
Date: mié, 12 ene 2011 12:16:56 -0300
Link: http://feedproxy.google.com/~r/P2pFoundation/~3/NOoGBVWHIOY/12
Excerpted from section 1.3.2 of the thesis of Martin Pedersen, âProperty,
Commoning and the Politics of Free Softwareâ.
* Property and the tangible/intangible divide: a policy of what? at
http://commoning.wordpress.com/2011/01/03/is-copyright-policy-or-property-a-critique-of-the-fsfs-position/[1]
The text below helps understand the âtacticalâ opposition of the Free Software
Foundation and Richard Stallman against seeing free software as property and
especially against the concept of âIntellectual Propertyâ.
It also argues that there are many advantages when we start seeing it as
property.
For further info, see also our own section of Peer Property[2]â
J. Martin Pedersen:
In this section I examine the reasoning behind the particular framing of the
intangible realm that characterise information exceptionalism. Siva
Vaidhyanathan, prominent cultural environmentalist and professor of Media
Studies and Law at the University of Virginia, writes that â[i]t is essential
to understand that copyright in the American tradition was not meant to be a
âproperty rightâ as the public generally understands propertyâ (2001: 11) and
â[c]opyright should be about policy, not propertyâ (ibid: 15) and â[c]opyright
is not property as commonly understood. It is a specific state-granted monopoly
issued for particular policy reasonsâ (ibid: 253). Moreover â[c]opyright was a
matter of policy, of a bargain among the state, its authors, and its citizensâ
(ibid: 23) and âJefferson even explicitly dismissed a property model for
copyrightâ (ibid.).
That copyright is a matter of policy, not property might sound strange to a
lawyer or a philosopher trained to understand copyright as a particular
instance of property relations with a temporal limit and who understands
property as a matter of policy. Some things do not quite add up. Nevertheless,
that copyright is a matter of policy, not property, is a point that the founder
of the Free Software Foundation, Richard Stallman, together with other
advocates of âFree Cultureâ, wants us to accept1.
Essentially, the Free Software and Free Culture movements reject the concept of
property and instead choose to frame issues pertaining to ideas, information
and knowledge â or the intangible realm â in terms of freedom, liberty, human
rights, policy, intervention, and regulation. Anything but property, but
preferably âpolicyâ.
Two mediate questions arise from this position: (i) What is policy? (ii) Why
should we choose to adopt one term instead of another? I will answer them in
turn.
What is policy? Is there something in the word that clearly delimits it from
property? What does policy actually mean and where does the term come from? It
is term that is etymologically compounded by two roots. The Greek âpolisâ â
????? â which means âcityâ or âstateâ and also âcitizenshipâ or a âbody of
citizensâ. In other words, a rather general term suggestive of âpolitical
societyâ and those âwho make up that societyâ, either individually or
collectively, or their status within that political society. The second root of
policy is the Latin âpolitusâ, which means âpolishedâ in the sense of
ârefinedâ. In late Middle English the compounded âpolicyâ ambiguously referred
to âpolitical sagacityâ and âpolitical cunningâ, the former presumably the
meaning it had for those in power, while the latter likely reflects the views
of common people. Despite the ambiguity, or perhaps exactly because of this
ambiguity, policy referred to âwhat those in power are doing, how they rule
societyâ. The modern term policy, then, enters the English language conveying
the meaning of âa constitutionâ, which is now rare or obscure, but in 18th
century political science referred to âgovernment, administrationâ; or was
equated with âpolityâ, which in turn meant âcivil orderâ, âadministration of a
stateâ, âcivil governmentâ or âa particular form of political organizationâ
(OED 1955: 1536-1537)2. In other words, policy is a broad term that we may say
refers to a variety of activities that a state performs as part of the
governance of its people.
In the context of capitalist democracy, therefore, the conventions that
institute its particular form of private property is a central part of the
stateâs policy. It is a policy that gives rise to certain laws, such as âtheftâ
codified into a statutory offence in the Theft Act 1968 in the UK, where
Section 1 reads âA person is guilty of theft if he dishonestly appropriates
property belonging to another with the intention of permanently depriving the
other of it; and âthiefâ and âstealâ shall be construed accordinglyâ (Theft Act
1968). Private property is part of the stateâs policy and the Theft Act is an
enactment of that policy, which is necessary to secure the stability of
possessions as declared in the policy.
If we return to the claim that âcopyright is policy, not propertyâ it becomes
obvious that there is a conflation at play, which is deployed for tactical
purposes. The choice of policy over property is presented as a matter of
tactic, rather than analysis: tactically it is decided to focus on âpolicyâ,
despite an analytical awareness that property can take on many different forms.
This tactic is chosen on the assumption that the public cannot understand the
term âpropertyâ in the way that lawyers and philosophers are able to.
However, property is a form of policy â or it is a manifestation of policy. We
may say, for instance, that âprivate property is a central ingredient in
foreign aid policy in order to further entrepreneurshipâ or that âprivate
property was central to Thatcherâs reasoning for the policy to turn council
housing tenants into house ownersâ. Or, expressed differently:
âIf it is trueâas it must beâthat copyright is policy, then it is equally true
that all property rights are policyâ (Mossoff: 2005: 33). The claim that
copyright is a matter of policy, not property can also be unpacked differently.
Instead of arguing whether property means this or property means that â in the
context of what are essentially artifices of justice at any rate â we can ask
what debates around each of these respective issues entail. What kind of
questions are asked in discussions about property relations and what kind of
concepts are at play in discussions about copyright. Here it âis easy to see
that every tangible property entitlement has arisen from a crucible of moral,
political, and economic analyses, and thus implicates the same questions about
utility, personal dignity, and freedom that now dominate the debates over
digital copyright. The preeminent property cases that every law student studies
in the first year of law school are exemplars of this basic truthâ (ibid.).
Nevertheless, investigating the claims of the âinformation exceptionalistsâ
further will be instructive3.
As part of the tactic to substitute policy for property in the context of
understanding copyright, Free Culture advocates claim that copyright understood
as property is a modern invention carried out by scheming corporations using
the rhetoric of (natural) property to distort the public perception of the
underlying and original policy of copyright (Stallman 2004)4. However, the
ââŠstory supposes that a multilateral treaty would be written and an
international agency established with a wholly new name that no one was
familiar with. In fact, WIPOâs predecessor international agency was called the
âUnited International Bureaus for the Protection of Intellectual Property.â It
was commonly known by its French acronym, BIRPI. BIRPI was formed in 1893, as a
combination of two small agencies that had been established to administer,
respectively, the Berne and Paris Conventions. Thus, âintellectual propertyâ
was a conscious, nineteenth-century category created to subsume both âliterary
propertyâ (Berne) and âindustrial propertyâ (Paris).â (Hughes 2006: 1005-1006)
Further good evidence for the tradition of understanding copyright and patents
as property has been provided recently as a response to these seemingly
misleading claims:
âThere can be little question today that intellectual property assets are forms
of âproperty.â The Patent Act expressly declares that âpatents shall have the
attributes of personal propertyâ and the Supreme Court acknowledges them as
such. The Copyright Act states that âownership of a copyright may be
transferred in whole or in part by any means of conveyance or by operation of
law, and may be bequeathed by will or pass as personal property by the
applicable laws of intestate succession.â (Menell 2007: 37) Consider also a
publication that pre-dates cultural environmentalism and Free Culture:
âEnglish law has considered copyright a form of property. An 1842 decree
asserts that âCopyright ⊠shall endure for the Natural Life of Such Author and
shall be the Property of Such Authorâ. In other decrees the terms âthe owner of
the copyright,â âownership of copyrightâ and âproprietary rightsâ are
mentionedâ (Matuck 1993: 406; see also Mossof 2005, 2007).
There is no evidence to suggest that intellectual property is a new term, on
the contrary. To understand why Free Culture and Free Software advocates are
rejecting the term, we need to understand their perception of the public
imagination and the publicâs capacity to understand issues concerning property
and social organisation. Lessig explains:
âIf youâre a lawyer, itâs OK to think of intellectual property as property,
because weâre trained to use the word property in a careful way. We donât think
of it as an absolute, perpetual right that canât be trumped by anybody. We
understand property rights are constantly limited by public-use exceptions and
needs, and in that context we understand intellectual property to be a very
particular, peculiar kind of property â the only property constitutionally
required to be for limited terms. Itâs clearly established for a public purpose
and is not a natural right ⊠The real problem is when people use it in the
ordinary sense of the term property, which is âa thing that I have that nobody
can take, forever, unless I give it to you.â By thinking of it as property, we
have no resistance to the idea of certain great companies controlling âtheirâ
intellectual property forever. But if we instead use terms like monopoly to
describe the control that companies like Disney have over art objects like
Mickey Mouse, itâs harder to run naturally to the idea that you ought to have
your monopoly right foreverâ (interview in Walker 2002). Copyright, then, is
property, for a lawyer and a philosopher, and property for a lawyer and a
philosopher is not simply private property based on a natural right that
requires no justification. For the âpublicâ and in âordinaryâ usages, on the
other hand, property is a natural right according to Lessig; Stallman agrees:
âI, along with most people, consider property rights as natural rights,
something people are simply entitled to. They donât need any specific
justification; rather, exceptions need justificationâ (Stallman 2007: email)5.
Do most people really think that, I wonder? However, it is not a question that
is really relevant here. Two principles prevent us from entering into such
questioning. Firstly, this is an academic and scholarly exercise, to the best
of my abilities, and secondly, we are certainly not in the business of
misleading âthe publicâ on the basis of the assumption that âthe publicâ is
unable to understand property properly. If anything, a very careful explanation
to âthe publicâ of what property means for lawyers and philosophers would be
called for, rather than a misleading, non-factual deviation. Such a careful
explanation will be provided in Chapter 2. Let us here disentangle the
confusion, which will reveal a different effect of the âframing effectâ.
Stallman uses the term âframingâ to strengthen the Free Culture claim and
justify the tactic to treat the public as too unwitting:
âBringing the word âpropertyâ into contact with this issue in _any_ fashion
frames the issue in favor of whoever is the âownerâ of the âpropertyâ. Everyone
can sympathize with âKeep off my property! I can use my property any way I
like.â And that is the basis that non-philosophers will use to respond to your
statement ⊠In the ânetwork neutralityâ debate, that framing favors AT&T. In
copyright issues, that framing favors the author or publisher. The issue here
isnât the history of Western modern ideas of property rights. (Property rights
existed before 1700.) Itâs about what people (other than philosophers) think
today. I agree with you that, at the fundamental level, property rights are
conventions set up by society, and that these conventions could be set up in
various ways, and that we can present arguments in favor or against various
proposals. None of these conventions is beyond the domain of questioning, and
although I accept the idea of property rights as the default for physical
objects, I can consider the question. I think you will find that a large part
of the public wonât go that far. Merely to call patents a âproperty rightâ will
make it difficult for many people even to entertain opposition to them. Youâre
probably aware of the effect that the way of framing an issue has on peopleâs
thoughts. Perhaps philosophers have trained their minds to the point where they
can overcome this effect â but not most people. If we frame copyright issues in
terms of âpropertyâ, that is in practice a terrible handicapâ (Stallman 2008:
email)6. There is good reasoning and cogent argumentation behind the tactical
choice to not frame the politics of Free Culture and Free Software in terms of
property. However, I am wary of discussing legal and philosophical concepts in
a way defined and determined in scope by popular opinion, especially in the
context of the free flow of information, ideas and knowledge â and a Free
Culture in general. I lean toward sharing knowledge and skills with âthe
publicâ, rather than simply assuming their ignorance.
Indeed, I argue that framing Free Software in terms of property has great
potential. Imagine what would happen if Free Software was understood as
property and the public came to learn that copyright, as a form of property,
could take very different and shared and collective forms and be temporally
limited. The concept of property would be relativised, so to speak, and no
longer take the particular form that appears to be tattooed onto everyoneâs
mind, namely the kind of private property that characterises capitalist
democracy. For Ayn Rand, subverting the understanding of one intellectual
property right means nothing other than the dissolution of âall other rightsâ:
âPatents are the heart and core of property rights, and once they are
destroyed, the destruction of all other rights will follow automatically, as a
brief postscriptâ (Rand 1966: 128). Currently, property is understood in what
Stallman and Lessig so cogently noted was an incorrect manner: a natural,
absolute, perpetual right to do whatever you please. Free Software, however, is
very differently configured and if understood as property would force upon that
concept substantial reorientation. If indeed framed in terms of property, Free
Software might constitute a threat to capitalist property, because it reveals
that capitalist property is only one of many possible ways of configuring
property. Viewed upside down, then, the tactical framing (i.e. not in terms of
property) that is central to Free Software politics, serves to protect Free
Software from public misunderstanding, just as much as it serves to protect
private property from public understanding.
Understanding Free Software as property potentially provides a fresh view on
property that is not alien to lawyers and philosophers and which would be
enlightening to âthe publicâ (whoever that may be). It opens a door to the
politics of property, which, according to the Free Software and Free Culture
movements, is suffused with misunderstandings. A lack of information, I claim,
is a signal to open up the black box of property and let insights circulate
freely; and not a signal to keep the black box of property closed. Yet,
Stallman disagrees:
âOur goal is to establish relations about software which are not property
relations. There are rules, yes; but these rules are not like property rights
(unless you stretch that term so far it will snap)â (Stallman 2007: email)7.
Snapping property is precisely what I am aiming at. The institution of property
is a core element in political thought. Revisiting it, revising it, and
understanding property in new contexts in the same way that you re-read a novel
to grasp dimensions that you had previously failed to notice, is a recurrent
political task. In times of change, when the technological, cultural and social
circumstances change around us, we need to address the core rules and laws that
typify society to ensure that they fit and are sensible in the new context. One
such core rule or law is property and it is necessary to continuously redefine
its boundaries. That is my claim, but that is also where my view diverges from
Stallmanâs:
âI think the âinstitution of propertyâ is an overbroad idea, not useful for
thinking about political issues ⊠If [redefining the boundaries of property] is
your goal, it seems that we are fundamentally opposedâ (Stallman 2008: email)8.
Because of this divergence, the âpolicy approachâ that defines Free Software
and Free Culture is irreconcilable with an anti-capitalist position. That
incommensurability is clearly reflected as Lessig states his position with
regard to private property:
âI [do not] condemn âproprietary culture.â Proprietary culture has been with us
from the start and for most of our history has served creativity and culture
well. What I do condemn is extremismâthe shift from the standard view to an
extreme version of âproprietary cultureâ that could easily become embedded in
the digital economyâ (Lessig 2005: 63). Given that Lessig primarily sees
property as referring to the tangible realm only, the statement that
proprietary culture serves us well must include reference to exclusive
ownership of land, the means of production and distribution. In short, Lessig
refers to the very heart of the capitalist economy, which social movements all
over world have resisted for hundreds of years. Lessig thus defends the
industrial machinery that has landed humanity in an unprecedented ecological
crisis and a relatively profound and prolonged economical crisis. Private
property rights are embraced uncritically â except for in cyberspace â in
submission to the invisible hand with the violent fist. The uncritical view on
existing property regimes is here confirmed by Benkler:
âThis is not to say that property is in some sense inherently bad. Property,
together with contract, is the core institutional component of markets, and a
core institutional element of liberal societies. It is what enables sellers to
extract prices from buyers, and buyers to know that when they pay, they will be
secure in their ability to use what they bought. It underlies our capacity to
plan actions that require use of resources that, without exclusivity, would be
unavailable for us to useâ (Benkler 2006: 23-24). The market is a useful and
integral element of a liberal society of the kind that Benkler is advocating,
because it facilitates contractual relations between rational agents that
enable them to plan actions and produce things. The market is good for
humanity, as long as it behaves nicely in cyberspace. The point of Free Culture
âis not to rethink real property but to explain the ways in which the economic
theory of real property falls short when applied to the rather different world
of intellectual propertyâ (Lemley 2005: 1097). When it comes to the economic
theory of âreal propertyâ as they call it, there is nothing to question,
because we can âsay with some confidence that a right of physical exclusion
works as a legal matter because its benefits exceed its costsâ (Lemley 2005:
1099):
âReal property rights do in fact serve two valuable goals. First, they prevent
rivalrous uses by multiple claimants to a particular piece of property and
therefore avoid the tragedy of the commons. Second, they allow their owners to
invest in improving or developing the propertyâ (ibid: 1098). For the Free
Software and Free Culture movements, we have seen, (mis)understanding property
is a matter of tactic, not analysis. The overall strategy, it has been
revealed, does not include a critical perspective on ownership in the tangible
realm. The analysis of this chapter, on the other hand, will show that this
tactical approach at the expense of a thoroughgoing, critical engagement leaves
Free Software and Free Culture eternally vulnerable to enclosure. That is
because exclusive ownership of the technostructural underpinning of cyberspace
â the materiality of cyberspace, as it were â permits those owners to seek rent
in and prioritise traffic on their network: exclusive, private ownership in the
tangible realm permits an extraction of wealth from activities that unfold in
the intangible realm. There is no such thing as a purely immaterial mode of
production or circulation, not even dreaming or telepathy come close. Nothing
in cyberspace exists without a material foundation, as we shall see in the next
section. For that reason, Free Culture must appeal to the state to ensure that
capitalists play ball in cyberspace and do not extract wealth in the manner to
which they are accustomed.
By implication, then, Free Culture requires a strengthening of the state â and
an always strong state â while the problems of private property rights in the
tangible realm remain unquestioned. Consequently, the novelty of the social
relations for which protection is sought are instead conceptualised in terms
that rather permit for market forces to profit from them, than provide
protection in a substantial sense. From an anti-capitalist perspective the
celebrated co-productive relations are hence lost in the sense that they are
not applied to that province of our knowledge and legal systems called
property. It is, however, a desolate province in urgent need of cultivation.
Understanding Free Software as property and commons-based peer production as a
new mode of production that instantiates a non-capitalist space in society on
the basis of novel property configurations, I argue, will cultivate an
understanding of property that is very instructive.â
[image 4][3][image 6][5][image 8][7][image 9]
Links:
[1]: http://commoning.wordpress.com/2011/01/03/is-copyright-policy-or-property-a-critique-of-the-fsfs-position/ (link)
[2]: http://p2pfoundation.net/Category%3APeerproperty (link)
[3]: http://feeds.feedburner.com/~ff/P2pFoundation?a=NOoGBVWHIOY:cki2YZa4MqE:7Q72WNTAKBA (link)
[4]: http://feeds.feedburner.com/~ff/P2pFoundation?d=7Q72WNTAKBA (image)
[5]: http://feeds.feedburner.com/~ff/P2pFoundation?a=NOoGBVWHIOY:cki2YZa4MqE:D7DqB2pKExk (link)
[6]: http://feeds.feedburner.com/~ff/P2pFoundation?i=NOoGBVWHIOY:cki2YZa4MqE:D7DqB2pKExk (image)
[7]: http://feeds.feedburner.com/~ff/P2pFoundation?a=NOoGBVWHIOY:cki2YZa4MqE:2mJPEYqXBVI (link)
[8]: http://feeds.feedburner.com/~ff/P2pFoundation?d=2mJPEYqXBVI (image)
[9]: http://feeds.feedburner.com/~r/P2pFoundation/~4/NOoGBVWHIOY (image)
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