[P2P-F] Fwd: Call for solidarity and support Teatro Valle occupato (Roma)

Wed Jun 5 16:16:18 CEST 2013

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From: PERFmts <info at perfmts.net>
Date: Wed, Jun 5, 2013 at 2:00 PM
Subject: Call for solidarity and support Teatro Valle occupato (Roma)
To: michelsub2004 at gmail.com

**
    <http://www.perfmts.net/index.asp>
 05.06.13

Teatro Valle Occupato (Roma)
Call for solidarity and support

  Teatro Valle Occupato
Via del Teatro Valle 23
00186 Roma - Italy

Sustain the foundation<http://3an.r.mailjet.com/redirect/70bjhsymhvnqpvgn2fw5d3/sostieni.teatrovalleoccupato.it/it/>

mari.crescenzi at gmail.com
benedettacappon at gmail.com
www.teatrovalleoccupato.it<http://3an.r.mailjet.com/redirect/9m91h82xrcbm1zgwxsxbv9/www.teatrovalleoccupato.it/>

Everywhere in southern Europe theaters are occupied. In Greece, in Spain
and in Italy.
The northern european countries put austerity measures on these countries.
PERFmts will regularly report about these occupations.
These theaters need the support of their colleagues and fellow
institutions.
Please contact them that they can build up a database for international
support when urgently needed. You find their coordinates next to the
picture.
After the occupations of Cinema Palazzo and the Teatro Valle, the occupy
culture movement increased and became contagious, il Teatro Marinoni, the
Coppola Theatre of Catania, the Garibaldi Theatre, the collective of the
Balena of Naples with the Asilo della creatività e della conoscenza. Macao
in Milan and the already existing S.A.L.E. Docks in Venice, are all
experimenting innovative models of daily bottom up productions.

*WHAT WAS GOING ON AROUND THE WORLD*
Spring 2011: Europe and the whole mediterranean area are in turmoil.

The act of occupying travels from the northafrican cities to the spanish
squares of the Indignados through the neighbourhoods in flames in Athens up
to the USA’s #occupy movements. These bodies don’t get in contact, but
breathe and live the same pure vibration. Different contexts, different
goals and attitudes, activated, almost at the same time, similar practices.
All these global movements reaffirm the occupying act giving to it a new
meaning: they override the purely negative protest and unfurl the power of
constituent practices claiming for sovereignty.

*HERE: ITALY, ROME*
Empty and useless theatres, divided by labels, categories, and targets of
audiences. Festivals in agony, awful redistribution of public funds,
suspension of useless organisms (ETI), strikes on Monday (the day off for
most part of the workers of art and entertainment), excise duties on petrol
(apparently to increase culture, in reality to enhance war investments).
Actors without allowances and unemployment benefits, stable theatres with
budget shortfalls, directors chosen because they are appreciated by the
mother of the mayor (as in our case in Rome!). A lot of respect for the
copyright protection (in Italy we have the only monopole in all Europe for
that: the SIAE), but no respect for knowledge, for the workers, for the
intelligence of the audience. Bureaucrats firmly there, stuck in their
places, artists without money. Politics of the Great Event, Theatre of
Misery.

There’s no epic, no cruelty, there’s no Dionysus. [image: théâtre]

*WHAT*
And so, once upon a time, one day, a theatre born in 1727 was occupied to
implement a “cultural revolt”.

On June 14th, the day after Italian citizens, voting in a referendum, said
a decisive no to water privatisation, nuclear development and legal
immunity for acting government officials, a wide group of protestors seized
the *Teatro Valle
(www.teatrovalleoccupato.it<http://3an.r.mailjet.com/redirect/f64bhd9bq5wm1kv04pgnql/www.teatrovalleoccupato.it/category/english>
)*, which could have been turned over to be privatized. Rome’s oldest
theatre, one of many cultural institutions facing difficulties. The day
after the victory of the referendum for water as a common good, voted by 27
millions of italians, on the ancient façade of the theatre designed by
Valadier, appeared a long piece of cloth with written on: *LIKE WATER, LIKE
AIR, LET’S RECLAIM CULTURE!*

The invasion of the Valley becomes a device with art and politics, poetics
and different urgencies gathered around the Rome's oldest theatre still
operating: the theater of Mozart and Rossini, the first of "Six Characters"
by Pirandello. Structure that was intended to have an uncertain future and
risked to be become private.

So a community gives life to a space by creating a constituent power
through the vehicle of a Foundation, a non hierarchical but as usual
horizontal rhizome. Where to take the decisions are the assemblies and
institutionalize the link between culture, art and political practices.
Reigns grassroots participation. The valley becomes a model, arise in other
cities of similar experiences in Italy.

*WHO*
After six months practicing in the fight, with raid in theaters and
symbolic occupations, the workers in the arts and culture occupied Teatro
Valle. Workers in Film production, theater, dance, technicians, operators,
employers, precarious and intermittent for several months waged a direct
and self-organized fight for their rights and against the cuts.
They have occupied the Teatro Valle to save it from an uncertain future.
The occupiers have issued *an appeal signed by over 8000 people*. Citizens,
artists, professionals, workers, people of Italian and international
culture, gave life to the *Teatro Valle*, that has emerged as a venue with
a strong symbolic value at a national level, a place to share ideas and
experiences, a place to elaborate together a political and critical
thought, according to a choice of active citizenship.
They/We are interested in commons, mutualism, co-working and we would like
to base all our actions on the quality of relationships. We believe in a
world built on bottom up quality processes and we are very interested at
international collaborations.

*MISSION AND VISION*
[image: théâtre]
Our goal is to transform the Teatro Valle in a Foundation of commons.

The Foundation Teatro Valle Commons is an economic and juridic alternative
model based on the selfgovernment of workers of art and culture and
citizens and on a direct democratic system. The principal vocation of the
theatre is to be always open and alive and to offer a wide permanent
education for professionals and for the citizens as a contemporary *agora*.

Regarding the artistic vocation of Teatro Valle we think it should be a
center devoted to the italian contemporary playwrighting and stage
writings.

After the 14th of june the defensive attitude transformed itself in a
performative constituent act: public assemblies, self education processes,
a multidisciplinary approach.

Internationally known and appreciated jurists as Ugo Mattei and Stefano
Rodotà contributed to write the Statute of the Fondazione Teatro Valle Bene
Comune.

The occupants are aware of the present economical and financial
difficulties of the country and, precisely for this reason, they believe
that the situation should be faced not with a blind policy of cuts, but
with *forward-looking projects aiming to reduce waste and to enhance the
artistic talents* which are a key resource for the country.
A renewed future for *Teatro Valle* would be a major starting point for
everybody, ushering *a new season of Italian cultural policy* resetting
art, knowledge and creativity as center of the social system. Radical
reforms capable of ensuring efficiency and autonomy in the public
management, would allow virtuous actions of the privates and would restore
dignity to the professionals of this industry with specific laws
recognising their rights.
We are imagining and practicing new forms of ethical management able to
provide the possibility of *a plural artistic direction with the guarantee
of a turn-over*; an “ecological” principle ensuring a balanced distribution
of resources between small and large productions, for training and
hospitality; *fairness in pay* - reduction of the gap between the minimum
and maximum-, a *price policy* accessible and progressive; *boards for
independent monitoring*, transparency and readability of financial
statements published on the web, *developing a code of ethics*, as model
for all theaters and companies. [image: théâtre]

*WHAT DO WE DO and done:*
We have set up artistic residencies in which we asked the artists to invent
new forms of education, to open up for the audiences the creative
processes, inviting other artists, contaminating languages.
The theatre promotes forms of encounter between the arts and creates
opportunities for interdisciplinary ensembles through assemblies, informal
meetings and through the international networks built in these recent
months of activity.

We organize: plays and performances, festivals of independent theatre in
and outside the theatre, children workshops, we reflect together on the
cultural politics, projections of independent movie which otherwise
wouldn’t find any distribution.

Every day from the 14th of June 2011 we kept the theatre open, organized
the cultural program, promoted meetings and co working sessions with many
theatrical, academic and scientific institutions on a national and
international level, supported and enhanced the fights for commons on a
national spread level.

*NATIONAL RELATIONS: THE NETWORK*
After the Cinema Palazzo and the Valle, the occupy culture movement
increased and became contagious, il Teatro Marinoni, the Coppola Theatre of
Catania, the Garibaldi Theatre, the collective of the Balena of Naples with
the Asilo della creatività e della conoscenza. Macao in Milan and the
already existing S.A.L.E. Docks in Venice, are all experimenting innovative
models of daily bottom up productions.

*INTERNATIONAL RELATIONS*
We had the support of prestigious European institutions such as the union
of the Greek artists, the Schaubühne Berlin, the Royal Court in London, the
Theatre du Soleil Arianne Mnouchkine, the Theatres of Europe, the Berlin
Biennale.

We are working continuously with cultural institutes in Italy such as the
French Academy of Villa Medici and the Swiss Institute of Culture, we are
collaborating with, among the others, with the Goethe Institut and we are
part of international networks such as European Alternatives.

[image: perfMTS]
15 Rue Haute
02820 St. Erme Outre et Ramecourt
France

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