[P2P-F] Fwd: Step into The Edge of Knowing and Un-Knowing

---------- Forwarded message ---------- From: Gediminas Urbonas <[email protected]> Date: Wed, Sep 6, 2017 at 6:34 AM Subject: Step into The Edge of Knowing and Un-Knowing To: Gediminas Urbonas <[email protected]> Dear all, I'm writing to send you the details of The fall 2017 ACT Lecture Series. Starting with Trevor Paglen on September 11 series will engage models for un-knowing science and technology as a way to dislocate and re-articulate knowledge production in proximity to technologies of planetary threat: how to navigate the camouflaged, the unknown, the deceptive, the trumped. Directions and the program can be found here: https://www.artandeducation.net/announcements/149663/mit- program-in-art-culture-and-technology-act-fall-2017- lecture-series-the-edge-of-knowing-and-un-knowing and here: http://act.mit.edu/projects-and-events/lectures-series/2017-fall/ Lectures are free and open to public. Feel free to forward this opportunity to your networks, friends and colleagues! I am looking forward to seeing you at ACT this year when we celebrate the 50th anniversary of the founding of CAVS! best regards, Gediminas *Gediminas Urbonas* Associate Professor and Director * MIT Program in Art, Culture and Technology * School of Architecture and Planning [email protected] Office: (617) 324-6471 Fax: (617) 253-3977 M.I.T., 77 Massachusetts Avenue, Bldg. E15 <https://maps.google.com/?q=77+Massachusetts+Avenue,+Bldg.+E15&entry=gmail&source=g> -238 Cambridge, MA 02139-4307 USA ACT: http://act.mit.edu Zooetics: http://www.zooetics.net Public Space? Lost & Found: https://mitpress.mit.edu/books/public-space-lost-and-found Begin forwarded message: *From: *"MIT Program in Art, Culture and Technology" *Subject: **Step into The Edge of Knowing and Un-Knowing* To view in your web browser click here <http://campaign.r20.constantcontact.com/render?m=1109678811270&ca=2d870d17-3d98-43d2-af55-c6568f5327a0> <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAk6RKbiiW_rhrrn8cJsQeRMUghUrcIcfQkRq1ES_5AZUlDO1sS5raMfrnMyzADGalp1Bp8wuG_d8YHfeRaIirs_SWOLQk4HOcbg8Px_g7aEjScRNEtRUfj3t4_oLH7VHVCuBlIhjbbH0bhXC8_OiiCLqJb2vo_hwymJ_dlZvO5pV00SVzImxZTsrWFCyhxRdSvvMoz73EyG9MGAsvMzOdh1gCiQnvzREOh697iRxdv2vpeFiVfM8-FkRl9QLFhyhxxaStMyvFLVn2_pOwCvcutDjqKTWNb0OYyyySeC_IK2-5xynqnNs7VLMyeD9b6FZ-X-gUaOCQGRgbc9S46uIXJyG_akJKlceUl&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAk6RKbiiW_rhrrn8cJsQeRMUghUrcIcfQkRq1ES_5AZUlDO1sS5raMfrnMyzADGalp1Bp8wuG_d8YHfeRaIirs_SWOLQk4HOcbg8Px_g7aEjScRNEtRUfj3t4_oLH7VHVCuBlIhjbbH0bhXC8_OiiCLqJb2vo_hwymJ_dlZvO5pV00SVzImxZTsrWFCyhxRdSvvMoz73EyG9MGAsvMzOdh1gCiQnvzREOh697iRxdv2vpeFiVfM8-FkRl9QLFhyhxxaStMyvFLVn2_pOwCvcutDjqKTWNb0OYyyySeC_IK2-5xynqnNs7VLMyeD9b6FZ-X-gUaOCQGRgbc9S46uIXJyG_akJKlceUl&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> Steam Screens by Joan Brigham. CAVS Special Collection. Used with permission from the artist. <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPPr3dRkr_xcs2D0CbiJYdCKYqOhr1bcyQJqfLr6-jP1mS7-bXgCjpbe1e8EWJf61AkKeaqqKkserMJuIbCIPbPumnRcTwKB79dVTO9BnQl_ZD9Rn2SYGHJWwzpU92LxBr1V0_qKdVOnh8m0idvCKhDcNYSUgBsyp4EvIdTkqiVEnlhg_NBl7U9Kndz5pjRV8ll8M9jbb3ZWeLvf-uqZIJ1jzzlS41dlntDUOqpuA2OKN_PnL42i9fuSZ0qN3QKFR5g==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPPr3dRkr_xcs2D0CbiJYdCKYqOhr1bcyQJqfLr6-jP1mS7-bXgCjpbe1e8EWJf61AkKeaqqKkserMJuIbCIPbPumnRcTwKB79dVTO9BnQl_ZD9Rn2SYGHJWwzpU92LxBr1V0_qKdVOnh8m0idvCKhDcNYSUgBsyp4EvIdTkqiVEnlhg_NBl7U9Kndz5pjRV8ll8M9jbb3ZWeLvf-uqZIJ1jzzlS41dlntDUOqpuA2OKN_PnL42i9fuSZ0qN3QKFR5g==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> ACT Fall 2017 Lecture Series: The Edge of Knowing and Un-Knowing The fall 2017 ACT Lecture Series <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAk6RKbiiW_rhrrn8cJsQeRMUghUrcIcfQkRq1ES_5AZUlDO1sS5raMfrnMyzADGalp1Bp8wuG_d8YHfeRaIirs_SWOLQk4HOcbg8Px_g7aEjScRNEtRUfj3t4_oLH7VHVCuBlIhjbbH0bhXC8_OiiCLqJb2vo_hwymJ_dlZvO5pV00SVzImxZTsrWFCyhxRdSvvMoz73EyG9MGAsvMzOdh1gCiQnvzREOh697iRxdv2vpeFiVfM8-FkRl9QLFhyhxxaStMyvFLVn2_pOwCvcutDjqKTWNb0OYyyySeC_IK2-5xynqnNs7VLMyeD9b6FZ-X-gUaOCQGRgbc9S46uIXJyG_akJKlceUl&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> invites renowned artists and philosophers to help us challenge our habits of perception and expand our margins of thought. Artistic intelligence is drawn to the fertile edges of knowledge, engaging radically anticipatory modes of being, thinking, creating, and acting without certainty. The series will offer models for un-knowing science and technology as a way to dislocate and re-articulate knowledge production in proximity to technologies of planetary threat: how to navigate the camouflaged, the unknown, the deceptive, the trumped. *Monday, September 11 at 7pm* Trevor Paglen | The Planet is a Sensor <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAkIPncQtWz11gHkKl8dlvVJQ47vdnlh8zPfCTgDjZM_ju5Im9Y_1tKYxPgOBfF0gPX0-oFf9J5mfEPeSu9kPZI4O5uG8RT9PymxsQq6IJiBwhWLOOA3goZpbgCPmCEcIoGZPNhHkXJHnFpgoYbxoMcRPniMOYXttZs6YmObulJbACQRfrDAtwxJ_8Ne3Q3AlOH8XsLmETCG3hfm3Hx038w9uhGb8st3YYa842IvSSjMEdYZx5DPidbOEEG_PFchAn8acHuWa4nQ2HfF2bVwBajj8ZSGVfLpfLYFOKTpuXAGah93354voEUjpMUWii21O0yXfld7BgCQO8YeL6EO1yWADAB1czCVhEZ&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> Trevor Paglen is an artist whose work spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. *Monday, September 25 at 6pm* Cristina Ricupero | Don't Believe A Word I Say <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAkXsY378hU5GMzsn-zFEAWn-r0yfQthpO_1tHOMPcuXNK4yuj-C6YbOPtoj_Nf2mvDJ2uESwFbIqtJMoGLfe2B7Mm-tLy5B3rePa_rezHVrmaEZSUwucWrCHsDhFRJMk_BQ8d-aYlwbzkXnm-QoCFLx-NaLVJNoeLcgjpq1lJ8YbhzdHstuFD063kfS8smH-bUDeGvd3hskLiCq3VKyi2XgEw9QkCf9ychhGrLBmmcw7u8UOV0HifYhUk172ysJ3s1oSw516vR_x4RFF89ojqT208AvYgYIM7RU6aR7wRgTuz47PzK4Nardf_U83W4IE2bG9w3bIGDDZBmXnsNFRj0K7qF-c7wGB8cEGrGVhWx80LsV8iPtLcGKnbmeUK0G3Yu0UDGfsjA2cc=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> Following Cristina Ricupero's special interest in the mechanisms of contemporary secrecy, she will focus on espionage, a topic she is developing for an exhibition project with Alexandra Midal (independent curator and professor at the design program at HEAD-Haute Ecole d'Art et Design, Geneva). With examples from contemporary art and design, sociology, philosophy, the spy novel, film and pop culture, Ricupero will show how espionage has evolved throughout time and played a major role in the political sphere of every country. *Friday, October 20 at 2pm* David Reinfurt | A Post-Industrial Postscript <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAkYQCTIsboMEY1iUpM9IM2fZ4HefhENz82Pyf-4hX3X2MPMBm-dzlq-IzaU9MgarJZcJMemkVuvzr_-82NfsQ4e6YY_g2FkA33fDI-3ISZ0AehjzrfoHiFi88Qa_4cQw3JNvYVN5StDWfKSIx6qXL2s8TEV9QHYiBqJfKF_DO6LxxKSZcKotfe2dro0bFXf4a23-fRt5llWV7V6Y_EIMjHLuXFqt6vJLtJhP3z0MnFiLfPpIpFuQOfM2C-nL88LB3ztkCkb6iUG1Hph9y0SDZSh3ZAkA4OjTgIIFrXXAhcYtVgy90tv3za2l0T87hD7sTvQ8v8COA6W1JwcBhDoGfxUNv4y9UPuOZqPBXq2v8JKF0spSOcMmbu5BrjVfkB7omEiR0UUld6gPE=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> David Reinfurt, an independent graphic designer in New York City, will report on his last six months in Rome as a fellow at the American Academy interrogating Bruno Munari's *Tetracono*, a small, industrially produced artwork-product from 1965. *Monday, November 13 at 6pm* Postcommodity | The Repellent Fence and Beyond <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAkjv_d_jRgySmF0lloxui4qAV1FlQK9LzXALp8rZCXtl4V4a6EoDqs-Buy8XesfDviy8sNPGXnKCPaMEElA7EpXAGVEUjlfiPSOnLvZm7e86TawEGCFLfmhrQ4yHg2OGJI0nWvouT1OvJbsu7dMmi0pRuKKJ1Qc5XqmzIhODGFpUQjF6ZYcCNKV4IWSJS-q7aPI9go4bhOq89S-9PcW0iyza1zQ_jgxOH-oAGXtkEh785Gi5vK8UA6wZm9kpWh1hK9h3SYFlCA01vrir0xa_lUDveli7-xhHEccdJZf0Re3uFZqb_L_ZS22gNGC7qN0meeiefTE_R-M9SbszG2K4mOOa60p_ngLTd3_9dRC194w6xuzGFbiFDiEI7VWm0PmXIbrAc1v4HfKG0=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> Postcommodity will discuss their 2015 land art installation and socially engaged artwork *Repellent Fence*, and the implications of this work on their art practice, their future work, and the field of contemporary art as we approach the year 2043 (when the US transitions to a non-white majority). *Monday, December 4 at 6pm* Judith Barry | A Discussion of Several Research-Based Projects <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAkVFRM4mMGyME5IRvzqAM3AAgnyJ06OlP6X6ZUnopE7f7kezVdL2pduYMnj1PoQWJZpNRjBdu7xCM7LTurIqcs9E_up0frO1hKS24QFjtp0I2ZJfVeYd_-B-s_irK5oqzlKjxvrOJ0Iz_oLUccmnIkfr-pGssMywhKd1I1Qzbpr8LNYnx_oJAVbMd0U6kR1f4mYb6n1-e_eecvALMA_KoNqnyTUu7BgFA77D9R-T_t7O_4pBs85cWu8Z5G9R3zFUKBcd0yQIKWz_ZwccbJ1T8dVw9qXgXj7pCEb_PO66K__1HFpDxUvx52CmdoBnCWIy1ddacAsF0Yk4FqA8tPEfK2EL_jQ28H7QuMkceOX7ksxc53ziKGpdhuajFerOukftyuRKBaUEOtGa3WuTx1IgB2_OaREpYyUmBE&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> Judith Barry utilizes a research-based methodology to explore a wide range of topics. Both the form and the content of her work evolve as the research proceeds. She often makes use of installation, in various forms and including exhibition design, as a way to combine many of her disparate interests. These immersive environments are based on experiments incorporating architecture, sculpture, performance, theatre, film/video/new media, graphics, and interactivity. *connect <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPM6lHd_tPx4bc-_vmxatKRoH6b8poEoQ0feX1qjQ0uJ-NRnqZFi5xvAUhgSywJDXbdHwzyfzOaWuuIBFWTYy8tMMQgbWULZpYDa_BlXW0ZLag6GElFZK-x3pbh9Y13frLdgt3CqablYKaDo3j8qiPZrfsvq0bUpSrCwtdzEc0o1KZcUX9BTfpwU1MLG7nzOQgmZULKcOIzLWSGJmcdjrSR0YG-TWK83TIE2Wy-Atcx2NsxgV95jN1Pw5aMfr72QI2PcpvZgKnwVUs9OwAGzO6s8=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>* * join <https://visitor.r20.constantcontact.com/manage/optin?v=001E34NtkFyPqcCtqmUjhPnJPz0HxSb8CAP>* * contact <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPJQH8qCw-3HffMjeRg27Gf9KYm89TGOMP4RAho3l3E-CkQGiagz5g2mg_RqLA3qesmGnog05q3EwFNv4IhQZQ6GilcOhL-t1rtgaZC0H3YHzRrVFC3Az6cdl8tnBaaPrx4U4LZ2Ac3QNQb145mH2raQ5AEBPY0Q0rPmloRtPCwua0sIYn3iEfmfytJMKbiI_QSrcbU7ch0-8W1OC403dGa3ehkNE-VxHTwT6E0pzkLhx17UlpblbgkvwYjLl7A6aNyI3tHr8WkrAR4oQop0gWoo0DO_VLvqdmoJtiA93pHa8NDIvUIFY1Wg=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>* * give <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPPr3dRkr_xcsz7tqIFatjy8bZ-C2kXNcUxBjAK42f3aP1IbhnXR7NMBp0GNlR9aQ9zM5R-KEY1Sp7F6gq0NS2UkIPwASOuLuOFtkNntibUY3AQc9LXhHfzaV5CUQ8pCMOzmzFZFrcvYYRukMVNccVz8Vn0AK9F7U8CW7LrBMg9IdZyt2S11ofAI_mAOzq5oTCX5DGdXjlY4i5yhaxF6EJhJzVx-yWEjphwq1qfvfkcQ9zG4gBiygQbGZmqa6g49iKwwZWIobvbfjNlN0Cl1qmNlo_T8JHDpQcg==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>* * facebook <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPKTtEUMsjQa6cI2qW7LP6NBMFJcIEergFULBXlxnLFmyDvVV9UiGVtqley_so-SG3KdvlO6fUNZh6zTUqYlT_c54HzBvRy0BxP8egYf3UWS3RHFpkpbty2feg0bqEEHN8Q==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>* * twitter <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPJzLnrs1EqrtUQhL4Op_ZygLtqg1tA7RaMyZuatsntxOt-hQuIiV72VCbiDOeCwGpmdti2DXhtciA2wI3rT6yG1nVhxzLIpy_3uVTEpnOmtw5ee9OH9QfvSy--qHjZtFwA==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>* * instagram <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPJzLnrs1Eqrt7cKWWyZypJX3EXNmOEO1iRP2mA1xPa63GJ6euSx86QT79WQMmy9bTFfe0fcJcuFKBkmHnj0PwAarw1xiGoQgc5vgADvKJAr0Adjl8mLVxaHLyCW43vXsy_5SC4MIRD2NVAUCd3KtBm_ezGwq1fZMrJnIpIYl3PPmEBrMnCZ7QD1meSgBQD1demRBRrOdOHgPmS0UN8SgjptjFVam1ArsH-8jC25GlfEt8PrjH22YQcmBTS8YidoyJJGu8kmOkonVHG0rdsyYDQ4=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>* * news <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPPr3dRkr_xcsEwP5gbYWCio_cilDUWs3mfIPd2i3CMi--xoJKPDpSdkvDss_ho3gg6umqFLGWRM0RmaMPU5xeIWJ39ju_zvnNyFbeWnxDABTwuKWAH3LVwTpvUqpSQRII_viX1m8UNTtduhxIAFRZMiLBpfuUSVnEYlk9WW7Z_DTAFL8X2QO3HJXjcCABhj8eN_tFX1w9wCViXJENmSBotumgabYdvt3YowTqCfal5X2FsnOFePFMPwtFHA_w_wG0YfiIDHWm2Ci&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>* About the ACT Lecture Series ACT's lecture series draws together artists, scholars, and other cultural practitioners from different disciplines to discuss artistic methodologies and forms of inquiry at the intersection of art, architecture, science, and technology. ACT's Fall 2017 series is conceived by Gediminas Urbonas, ACT Director, and coordinated with Marissa Friedman, Senior Communications and Public Programs Assistant, and Laura Knott, Consulting Curator. This series is made possible with the generous support of The Council for the Arts at MIT (CAMIT) <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAk7XJ77z7gc3tt0ihHCL0S9Y8PCscdHFcT4yx9MaknkXRdoJR48LBpydLPO2GqH9AOndZz0A1hrC4SkB8s_FgS3uxuEtHFrudCRjlh6PE5Z8UgQ2dehcmalJDPaK056Pd0dSB36ULiRs_S52_PyKixBg95TQ7XWpgbX91aL2kC9gefjFCMALN8CmUGLEWzNvalVGKpwX0MrpHN3GTeuCRmLTZ0yujRmEbUVFhCksXBwrL1Smci5OKZSx7uvjHcgDPz4ryFZyslcsWIOaIStpcDMg==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> . join <http://visitor.r20.constantcontact.com/d.jsp?llr=ge9fapjab&p=oi&m=1109678811270> | contact <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPJQH8qCw-3HffMjeRg27Gf9KYm89TGOMP4RAho3l3E-CkQGiagz5g2mg_RqLA3qesmGnog05q3EwFNv4IhQZQ6GilcOhL-t1rtgaZC0H3YHzRrVFC3Az6cdl8tnBaaPrx4U4LZ2Ac3QNQb145mH2raQ5AEBPY0Q0rPmloRtPCwua0sIYn3iEfmfytJMKbiI_QSrcbU7ch0-8W1OC403dGa3ehkNE-VxHTwT6E0pzkLhx17UlpblbgkvwYjLl7A6aNyI3tHr8WkrAR4oQop0gWoo0DO_VLvqdmoJtiA93pHa8NDIvUIFY1Wg=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> | give <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPPr3dRkr_xcsz7tqIFatjy8bZ-C2kXNcUxBjAK42f3aP1IbhnXR7NMBp0GNlR9aQ9zM5R-KEY1Sp7F6gq0NS2UkIPwASOuLuOFtkNntibUY3AQc9LXhHfzaV5CUQ8pCMOzmzFZFrcvYYRukMVNccVz8Vn0AK9F7U8CW7LrBMg9IdZyt2S11ofAI_mAOzq5oTCX5DGdXjlY4i5yhaxF6EJhJzVx-yWEjphwq1qfvfkcQ9zG4gBiygQbGZmqa6g49iKwwZWIobvbfjNlN0Cl1qmNlo_T8JHDpQcg==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> | facebook <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPEucSNEavL8PKZ6V9mjPG2HXh5S_9Mr8lAtqWsa-oqu7SRr4aVxvyrj7jWrzGNNRO5TPjKAi8vzrm_-TUqqWw-L2RCsNt_tQ9LvsQw-_99N1UNNRsTat-CifLC_6IhLxSw==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> | twitter <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPEucSNEavL8PVlj_4mDq0Te5d6YFpYM4_Ft3mRcZLDDwE71u9eZt19RCUz50Bj3SuGIeBanL4ktWQnaXdBNLsskJZvCg6YiRm1hs3dJRRw2ssmfZF7DoPR9Eu8jPDSubzg==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> | instagram <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPJzLnrs1Eqrt7cKWWyZypJX3EXNmOEO1iRP2mA1xPa63GJ6euSx86QT79WQMmy9bTFfe0fcJcuFKBkmHnj0PwAarw1xiGoQgc5vgADvKJAr0Adjl8mLVxaHLyCW43vXsy_5SC4MIRD2NVAUCd3KtBm_ezGwq1fZMrJnIpIYl3PPmEBrMnCZ7QD1meSgBQD1demRBRrOdOHgPmS0UN8SgjptjFVam1ArsH-8jC25GlfEt8PrjH22YQcmBTS8YidoyJJGu8kmOkonVHG0rdsyYDQ4=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> | news <http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPPr3dRkr_xcsEwP5gbYWCio_cilDUWs3mfIPd2i3CMi--xoJKPDpSdkvDss_ho3gg6umqFLGWRM0RmaMPU5xeIWJ39ju_zvnNyFbeWnxDABTwuKWAH3LVwTpvUqpSQRII_viX1m8UNTtduhxIAFRZMiLBpfuUSVnEYlk9WW7Z_DTAFL8X2QO3HJXjcCABhj8eN_tFX1w9wCViXJENmSBotumgabYdvt3YowTqCfal5X2FsnOFePFMPwtFHA_w_wG0YfiIDHWm2Ci&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==> * School of Architecture and Planning * -- Check out the Commons Transition Plan here at: http://commonstransition.org P2P Foundation: http://p2pfoundation.net - http://blog.p2pfoundation.net <http://lists.ourproject.org/cgi-bin/mailman/listinfo/p2p-foundation>Updates: http://twitter.com/mbauwens; http://www.facebook.com/mbauwens #82 on the (En)Rich list: http://enrichlist.org/the-complete-list/