February 2011 - Musix-usuarios - lists.ourproject.org

Diaspora
by Cronopio Rojo 10 Mar '11

10 Mar '11

Alguien probó Diáspora? Es una red social tipo facebook pero de código abierto y descentralizada: https://joindiaspora.com/ Si alguien ya lo hizo, cuenten qué les pareció y si vale la pena... Abrazo, Federico " La realidad es aquello que, cuando dejas de creer en ella, no desaparece" (Philip K Dick)

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[OT?] Volumen de Auriculares bajo
by Alan Jonatan Romero 09 Mar '11

09 Mar '11

Buenas Gente. Les comento mi "problema". De entrada les digo que estoy usando ubuntu, asi que se que la pregunta es un tanto desubicada, pero como en Musix se conoce mucho del tema de sonidos, Musix deriva de una distro similar, y es importante y no tengo a quién mas recurrir, espero me entiendan. Tengo un LOGITECH USB HEADSET, el cual reproduce sonidos con volumen muy bajo. No puedo elevar el volumen para escuchar mejor, pues los controles de volumen estan al máximo y no dan más. Había instalado alsa mixer con la esperanza de que me mostrara controles del dispositivo que en las propiedades de sonido del sistema no podia ver, pero solo encontré dos controles. En fin, necesito que me digan si conocen algun paquete que pueda elevar el audio o amplificarlo mediante software (que corra en Ubuntu 10, no?), lo malo de utilizar un headset USB es que es independiente de la placa de sonido y tiene sus propios controles de volumen... MIL GRACIAS, por favor ayudenme que es para mi laburo... :) y pido disculpas por el OT

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musix.org.ar está de nuevo activo
by Marcos Germán Guglielmetti 04 Mar '11

04 Mar '11

Hola musix.org.ar estuvo desactivado estos días por un cambio de server que tuvo que realizar el proyecto Ututo que nos banca desde hace 5 años, pero ya está de vuelta en la red :-) Gracias a Ututo por el apoyo incansable y a la gente de SOLAR que administra el dominio saludos -- Marcos Guglielmetti ▲ :::::::::::::::::: M U S I X ::::::::::::::::::::: ▼ www.musix.org.ar www.ovejafm.com _______________________________________________ Para encontrarte con activistas del movimiento social del software libre envia un mail a solar.general(a)librelist.com y luego respondé el mail de bienvenida. PD: usen dukgo.com es genial y va camino a ser totalmente libre ¡y no te espía! :-D ¿Cuáles serían las libertades esenciales en Medios de Comunicación Libres? listas, sitios, etc. 0) La libertad de usar los medios de comunicación con cualquier propósito (uso) 1) La libertad de auditar los medios de comunicación y adaptarlos a tus necesidades. El acceso a los paneles de administración es una condición previa para esto. (estudio) 2) La libertad de crear otros usuarios y medios de comunicación, con lo que puedes ayudar a tu prójimo. (copia) 3) La libertad de modificar en los medios de comunicación y hacer públicas las mejoras a los demás, de modo que toda la comunidad se beneficie. El acceso al panel de administración es un requisito previo para esto. (mejora) "our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty" Einstein

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midi y grabar
by josx 04 Mar '11

04 Mar '11

holas musixueros! con que programa puedo grabar un .mid La idea es ir escuchando una cancion y ir tocando el teclado (la melodia de la cancion) a tiempo. O sea que el mid quede igual de largo que la cancion finalmente... Si o si tengo que usar rosengarden u hay alguna otra alternativa? -- Di Biase José Luis Escuchame en --> [http://www.ovejafm.com] "viaja hasta tu ideal, sembra tu flor, labra tu libertad, rega tu voz cerra tus ojos que sobra lugar en idilia para los dos"

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Crear y demas yerbas...
by josx 04 Mar '11

04 Mar '11

Hola! Hoy desde un emprendimiento empezamos a liberar unos pequeños aporte, y experimentando un poco En esta ocasiín Emanuel y su primer acercamiento con hydrogen Breve evolución: Bombo de murga uruguaya http://www.elarteylatecnologia.com.ar/spip.php?article48 Saludos Acerca del proyecto: ----- Crear es un emprendimiento productivo con la vocación de fortalecer la autogestión y cooperación de los grupos artisticos en relación a la tecnología. Para ello aunamos conocimiento y experiencia en diversas artes y oficios para brindar servicios como diseño gráfico, diseño de sitios web y desarrollo de ideas innovadoras con nuevas tecnologías. Crear esta formado por personas, que si bien tienen entre sus fines obtener dinero a cambio de trabajo, no creemos en los fines meramente mercantiles, e intentamos contruir un espacio mejor ante todo. En crear tenemos dos ejes por los cuales el proceso productivo transcurre, por un lado "el arte" y por otro "la tecnología" que son centrales en nuestras vidas, y desde ese hilo conductor, trabajamos cooperativamente, desde un espacio alternativo. En crear queremos dar respuestas simples a problemas complejos, intentando ser un nexo entre el "músico análogico" y la tecnología que nos permite expandir los límites de la creación artística. Innovamos: Desarrollamos nuevas ideas repensando la tecnología y su interacción con el arte. Compartimos: Fomentamos el software y la cultura libres. Difundimos: Herramientas accesibles para la difusión de proyectos sociales y culturales. Asesoramos: Podemos ayudarte en la construcción, gestión y difusión de tu proyecto artístico. Productos: Servicios gráficos, diseño Web, asesoramiento para artistas, desarrollo de ideas innovadoras con nuevas tecnologías. página: web http://www.elarteylatecnologia.com.ar/ -- Di Biase José Luis Escuchame en --> [http://www.ovejafm.com] "viaja hasta tu ideal, sembra tu flor, labra tu libertad, rega tu voz cerra tus ojos que sobra lugar en idilia para los dos"

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5 best gnulinux distros with no propietary components
by Marcos Germán Guglielmetti 22 Feb '11

22 Feb '11

http://www.cyberciti.biz/tips/best-gnu-linux-distributions.html

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Musix y squeeze.
by Rodolfo Lopez 19 Feb '11

19 Feb '11

Hola. ¿Cómo puedo fundir las preferencias y estructura de musix 3 a squeeze 64bits mientras llega? Saludos desde Costa Rica.

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Corta el circulo.
by Bernardo Pardo Garcia 18 Feb '11

18 Feb '11

An animation about education, sharing and copyright. The first short open movie created with Synfig Studio. Una aniamcion acerca de la educación, compartir y copyright. El primer corto animado abierto creado con Synfig Studio. cut-the-circle <http://synfig.org/cms/en/gallery/shorts/cut-the-circle/> Saludos a todos y les deseo un buen fin de semana.

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" ¿por qué robo películas , incluso en las que participo?"
by Marcos Germán Guglielmetti 18 Feb '11

18 Feb '11

Genial: http://gizmodo.com/#!5539417/why-i-steal-movies-even-ones-im-in PIRACY Why I Steal Movies… Even Ones I’m In Peter Serafinowicz — Like a billion other people, I download things illegally. I'm also an actor, writer and director whose income depends on revenue from DVDs, movies and books. This leads to many conflicts in my head, in my heart, and in bars. From an industry standpoint, physical media has a great advantage: It is its own copy-protection. Even disregarding the DRM built-in to discs, to make copies is hugely impractical for the average consumer. But physical media is disappearing. We simply don't need it any more. Remember slinging out your VHS collection? That's how I'm now thinking about my DVDs. And don't think you're safe either, Blu-rays. With bandwidth and storage increasing exponentially, getting cheaper, and consumers becoming more tech-savvy, it's becoming easier every day to grab free copies of books, movies and albums. This is why Internet users are thrilled. Including me. This is why people in the entertainment industry are terrified. Including me. *** I live in London and many of my favo(u)rite TV shows are American. So if I want to see the latest episode of South Park or Friday Night Lights I'll head over to Pirate Bay or ez.tv and nab a torrent moments after broadcast. I once even downloaded Shaun of the Dead to use in my reel, because it was easier than ripping the DVD. Torrenting is probably too hassle-y for the average viewer: Installing Transmission, VLC, perhaps re-encoding to watch on my TV—but I'm pretty techy (ok, a geek) and have been doing this for years. However, if a show is available on iTunes—as South Park is to me now I've set up a US iTunes account (yet another tech hassle I had to overcome…)—I'll click and buy. It's simple, quick, better quality, not to mention legal. It's also cheap. Graham Linehan (creator of The IT Crowd) described this situation to me as "better than free." Matt Stone and Trey Parker of South Park have always tolerated torrent sites hosting pirate versions of their show, as I imagine they see it as constant promotion. Also, they've realised there's nothing they can do about it. The promotion argument makes sense. South Park for example makes money from from syndication, advertising, merchandising and DVD sales (although the latter market is dwindling) so perhaps the extra visibility helps. The visibility argument certainly makes sense for my short-lived BBC show. I'm revamping my website right now and my web team asked me if I would like them to hunt down and put and end to the torrents and RapidShare links to The Peter Serafinowicz Show, which was recently released in the UK on DVD. I said no because the show is still relatively unknown and I'd like as many people to see it as possible. In fact, I've used the torrents myself when I haven't had a copy to hand. Much of it is already up on YouTube. If people like it enough they'll want to buy, to own, the DVD, which has lots of great extra stuff, but the DVD isn't even sold in the USA. The freely available content serves as a calling card for me, and for the other cast members and writers, hopefully enabling us to produce more hilarious stuff for the world's discerning comedy fans. If you know where to look, the whole contents of the DVD, extras, menus, all in super quality, are available instantly, for free. Great!? Except I don't make any money, nor does anyone else involved with the show. The PS Show started out on YouTube, with me and my brother James shooting stuff for zero dollars, using basic equipment and making it look as good as we could. But all comedy can't be made like this. A slick show like 30 Rock couldn't exist without a huge budget to pay all the writers, actors, cameramen, production staff etc. Who's gonna pay these people in the future if everything is free? *** "Ownership" is starting to change its meaning. If you buy a movie from iTunes you "own" the right to watch it on certain devices within certain constraints. When you "own" a DVD, you have the right to watch it whenever and wherever you want. However: you must watch ten minutes of promos, trailers and anti-piracy threats. I'll take the download, please. But often you can't do it legally: I recently wanted to show my son Disney's classic Jungle Book and intended to get it on iTunes. Unfortunately, it is currently incarcerated within The Disney Vault. So I'm afraid I simply DL'ed a pixel-clear pirate copy which arrived in seconds. My moral justification for this? I once bought the VHS. It's your own vault, Disney! I recently got an iPad while I was in the US (my Gizmodo review is coming soon) and have been using its excellent iBooks app. The backlit screen isn't perfect for reading, but it's close. I bought quite a few books but there was one in particular (recommended to me by the comedian Tim Minchin) that I was super keen to read: Ian McEwan's latest, Solar. It wasn't available in the iBooks store, so I tried Amazon via its (inferior) Kindle app. As I tried to check out, it told me that it was unavailable in my country (I have a UK account). Exasperated, I downloaded a pirate copy and was reading it within minutes. My moral justification for this? I will now advertise the book. "Solar is a sun-tastic read!" (Seriously, it's great.) I own a physical copy of Anthony Lane's brilliant collection of New Yorker reviews, Nobody's Perfect. It's a heavy read (around 3 lbs.) and I wanted to get a copy for my iPad. I tracked down an ePub version of the book at the Barnes & Noble site, assuming, since iBooks also uses the format, that I could tranfer it to my iPad. Only the iPad doesn't read Adobe-encoded ebooks, not now at least. With the help of some sympathetic Twitter followers I then spent around ten futile hours installing Xcode and obscure Python scripts (not the funny ones) on two different computers in what seems to be the only method one can use to illegally decrypt Adobe ebooks. My moral justification for this? I've paid for the book twice. *** Frank Zappa once said that Communism could never work because people like to own stuff. I felt a similar way about CDs when music began to arrive in MP3 form. Now, my music happily resides in my iTunes library, spread over various computers and iPods. Music's purpose is to be heard. It doesn't need to live on discs in boxes on a groaning shelf any more. When I go into a Virgin Megastore or HMV (a rare occurrence now, a vestigial habit) I just see a huge room filled with redundant plastic. Now with Spotify and other streaming services I'm even starting to begrudge the space taken up on my hard drive. I recently directed the music video for Hot Chip's "I Feel Better." Contractually, the video had to be hosted on EMI's official YouTube channel, which disabled non-UK users from viewing it, limiting its audience by around 80%. Frustrated, I put it up on my own YouTube channel with no region restrictions, and at time of writing is just shy of a million views. EMI then remotely disabled embedding on my version, thereby limiting its audience again. If you're in the business of promoting a band, why would you want to stop people watching their promotional video? *** I don't understand business, but I can see that the old model needs to change. Perhaps it'll involve direct micro-payments. Perhaps you'll pay Apple or whoever a monthly flat fee to license all their content. Most importantly, I believe that the direct and deepening connection artists now have with their fans, be they independent bands or Hollywood talkshow hosts, will play a huge part. But one thing is for sure: artists will always make art, and money-makers will always find a way to make money. In the meantime, I'll be suing myself for pirating my own show. And I'm pretty scared, because I have an amazing lawyer. *** Peter Serafinowicz, a celebrated British writer/producer/director/actor/musician/comedian/voice model, is joining us for a few weeks to talk about the tech issues that delight, frustrate and motivate him every day. He recently launched his Peter Serafinowicz Show DVD in the UK—also on YouTube—and will soon release his Look Around You DVD in the USA. This fall, he will be starring with Will Arnett in a Fox sitcom created by Arrested Development's Mitchell Hurwitz. If you don't already follow Peter on Twitter, you should be ashamed of yourself. -- Marcos Guglielmetti ▲ :::::::::::::::::: M U S I X ::::::::::::::::::::: ▼ www.musix.org.ar www.ovejafm.com _______________________________________________ Para encontrarte con activistas del movimiento social del software libre envia un mail a solar.general(a)librelist.com y luego respondé el mail de bienvenida. PD: usen dukgo.com es genial y va camino a ser totalmente libre ¡y no te espía! :-D ¿Cuáles serían las libertades esenciales en Medios de Comunicación Libres? listas, sitios, etc. 0) La libertad de usar los medios de comunicación con cualquier propósito (uso) 1) La libertad de auditar los medios de comunicación y adaptarlos a tus necesidades. El acceso a los paneles de administración es una condición previa para esto. (estudio) 2) La libertad de crear otros usuarios y medios de comunicación, con lo que puedes ayudar a tu prójimo. (copia) 3) La libertad de modificar en los medios de comunicación y hacer públicas las mejoras a los demás, de modo que toda la comunidad se beneficie. El acceso al panel de administración es un requisito previo para esto. (mejora) "our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty" Einstein

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Ayuda resolución
by Fernando Gabriel Parisi 14 Feb '11

14 Feb '11

Hola. Tengo un monitor de 1920x1080, pero Musix 2.0 sólo me deja poner resoluciones 4:3. ¿Cómo lo puedo configurar correctamente? Y una pregunta que me quedó colgada: ¿Estará Qsampler en Musix 3? Para cuándo la Musix 3 fina,l che? jaja! Saludos!

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