[P2P-F] Fwd: Step into The Edge of Knowing and Un-Knowing

Fri Sep 8 09:38:06 CEST 2017

---------- Forwarded message ----------
From: Gediminas Urbonas <urbonas at mit.edu>
Date: Wed, Sep 6, 2017 at 6:34 AM
Subject: Step into The Edge of Knowing and Un-Knowing
To: Gediminas Urbonas <urbonas at mit.edu>

Dear all,

I'm writing to send you the details of The fall 2017 ACT Lecture Series.

Starting with Trevor Paglen on September 11 series will engage models for
un-knowing science and technology as a way to dislocate and re-articulate
knowledge production in proximity to technologies of planetary threat: how
to navigate the camouflaged, the unknown, the deceptive, the trumped.

Directions and the program can be found here:
https://www.artandeducation.net/announcements/149663/mit-
program-in-art-culture-and-technology-act-fall-2017-
lecture-series-the-edge-of-knowing-and-un-knowing
and here:
http://act.mit.edu/projects-and-events/lectures-series/2017-fall/

Lectures are free and open to public.
Feel free to forward this opportunity to your networks, friends and
colleagues!

I am looking forward to seeing you at ACT this year when we celebrate the
50th anniversary of the founding of CAVS!

best regards,
Gediminas

*Gediminas Urbonas*
Associate Professor and Director
* MIT Program in Art, Culture and Technology *
School of Architecture and Planning

urbonas at mit.edu
Office: (617) 324-6471
Fax: (617) 253-3977
M.I.T., 77 Massachusetts Avenue, Bldg. E15
<https://maps.google.com/?q=77+Massachusetts+Avenue,+Bldg.+E15&entry=gmail&source=g>
-238
Cambridge, MA 02139-4307 USA

ACT:
http://act.mit.edu

Zooetics:
http://www.zooetics.net

Public Space? Lost & Found:
https://mitpress.mit.edu/books/public-space-lost-and-found

Begin forwarded message:

*From: *"MIT Program in Art, Culture and Technology"
*Subject: **Step into The Edge of Knowing and Un-Knowing*

To view in your web browser click here
<http://campaign.r20.constantcontact.com/render?m=1109678811270&ca=2d870d17-3d98-43d2-af55-c6568f5327a0>

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<http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAk6RKbiiW_rhrrn8cJsQeRMUghUrcIcfQkRq1ES_5AZUlDO1sS5raMfrnMyzADGalp1Bp8wuG_d8YHfeRaIirs_SWOLQk4HOcbg8Px_g7aEjScRNEtRUfj3t4_oLH7VHVCuBlIhjbbH0bhXC8_OiiCLqJb2vo_hwymJ_dlZvO5pV00SVzImxZTsrWFCyhxRdSvvMoz73EyG9MGAsvMzOdh1gCiQnvzREOh697iRxdv2vpeFiVfM8-FkRl9QLFhyhxxaStMyvFLVn2_pOwCvcutDjqKTWNb0OYyyySeC_IK2-5xynqnNs7VLMyeD9b6FZ-X-gUaOCQGRgbc9S46uIXJyG_akJKlceUl&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>
Steam Screens by Joan Brigham. CAVS Special Collection. Used with
permission from the artist.

<http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPPr3dRkr_xcs2D0CbiJYdCKYqOhr1bcyQJqfLr6-jP1mS7-bXgCjpbe1e8EWJf61AkKeaqqKkserMJuIbCIPbPumnRcTwKB79dVTO9BnQl_ZD9Rn2SYGHJWwzpU92LxBr1V0_qKdVOnh8m0idvCKhDcNYSUgBsyp4EvIdTkqiVEnlhg_NBl7U9Kndz5pjRV8ll8M9jbb3ZWeLvf-uqZIJ1jzzlS41dlntDUOqpuA2OKN_PnL42i9fuSZ0qN3QKFR5g==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>

<http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPPr3dRkr_xcs2D0CbiJYdCKYqOhr1bcyQJqfLr6-jP1mS7-bXgCjpbe1e8EWJf61AkKeaqqKkserMJuIbCIPbPumnRcTwKB79dVTO9BnQl_ZD9Rn2SYGHJWwzpU92LxBr1V0_qKdVOnh8m0idvCKhDcNYSUgBsyp4EvIdTkqiVEnlhg_NBl7U9Kndz5pjRV8ll8M9jbb3ZWeLvf-uqZIJ1jzzlS41dlntDUOqpuA2OKN_PnL42i9fuSZ0qN3QKFR5g==&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>
ACT Fall 2017 Lecture Series: The Edge of Knowing and Un-Knowing

The fall 2017 ACT Lecture Series
<http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAk6RKbiiW_rhrrn8cJsQeRMUghUrcIcfQkRq1ES_5AZUlDO1sS5raMfrnMyzADGalp1Bp8wuG_d8YHfeRaIirs_SWOLQk4HOcbg8Px_g7aEjScRNEtRUfj3t4_oLH7VHVCuBlIhjbbH0bhXC8_OiiCLqJb2vo_hwymJ_dlZvO5pV00SVzImxZTsrWFCyhxRdSvvMoz73EyG9MGAsvMzOdh1gCiQnvzREOh697iRxdv2vpeFiVfM8-FkRl9QLFhyhxxaStMyvFLVn2_pOwCvcutDjqKTWNb0OYyyySeC_IK2-5xynqnNs7VLMyeD9b6FZ-X-gUaOCQGRgbc9S46uIXJyG_akJKlceUl&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>
invites
renowned artists and philosophers to help us challenge our habits of
perception and expand our margins of thought. Artistic intelligence is
drawn to the fertile edges of knowledge, engaging radically anticipatory
modes of being, thinking, creating, and acting without certainty. The
series will offer models for un-knowing science and technology as a way to
dislocate and re-articulate knowledge production in proximity to
technologies of planetary threat: how to navigate the camouflaged, the
unknown, the deceptive, the trumped.
*Monday, September 11 at 7pm*
Trevor Paglen | The Planet is a Sensor
<http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAkIPncQtWz11gHkKl8dlvVJQ47vdnlh8zPfCTgDjZM_ju5Im9Y_1tKYxPgOBfF0gPX0-oFf9J5mfEPeSu9kPZI4O5uG8RT9PymxsQq6IJiBwhWLOOA3goZpbgCPmCEcIoGZPNhHkXJHnFpgoYbxoMcRPniMOYXttZs6YmObulJbACQRfrDAtwxJ_8Ne3Q3AlOH8XsLmETCG3hfm3Hx038w9uhGb8st3YYa842IvSSjMEdYZx5DPidbOEEG_PFchAn8acHuWa4nQ2HfF2bVwBajj8ZSGVfLpfLYFOKTpuXAGah93354voEUjpMUWii21O0yXfld7BgCQO8YeL6EO1yWADAB1czCVhEZ&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>
Trevor Paglen is an artist whose work spans image-making, sculpture,
investigative journalism, writing, engineering, and numerous other
disciplines. Among his chief concerns are learning how to see the
historical moment we live in and developing the means to imagine
alternative futures.
*Monday, September 25 at 6pm*
Cristina Ricupero | Don't Believe A Word I Say
<http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAkXsY378hU5GMzsn-zFEAWn-r0yfQthpO_1tHOMPcuXNK4yuj-C6YbOPtoj_Nf2mvDJ2uESwFbIqtJMoGLfe2B7Mm-tLy5B3rePa_rezHVrmaEZSUwucWrCHsDhFRJMk_BQ8d-aYlwbzkXnm-QoCFLx-NaLVJNoeLcgjpq1lJ8YbhzdHstuFD063kfS8smH-bUDeGvd3hskLiCq3VKyi2XgEw9QkCf9ychhGrLBmmcw7u8UOV0HifYhUk172ysJ3s1oSw516vR_x4RFF89ojqT208AvYgYIM7RU6aR7wRgTuz47PzK4Nardf_U83W4IE2bG9w3bIGDDZBmXnsNFRj0K7qF-c7wGB8cEGrGVhWx80LsV8iPtLcGKnbmeUK0G3Yu0UDGfsjA2cc=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>
Following Cristina Ricupero's special interest in the mechanisms of
contemporary secrecy, she will focus on espionage, a topic she is
developing for an exhibition project with Alexandra Midal (independent
curator and professor at the design program at HEAD-Haute Ecole d'Art et
Design, Geneva). With examples from contemporary art and design, sociology,
philosophy, the spy novel, film and pop culture, Ricupero will show how
espionage has evolved throughout time and played a major role in the
political sphere of every country.
*Friday, October 20 at 2pm*
David Reinfurt | A Post-Industrial Postscript
<http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAkYQCTIsboMEY1iUpM9IM2fZ4HefhENz82Pyf-4hX3X2MPMBm-dzlq-IzaU9MgarJZcJMemkVuvzr_-82NfsQ4e6YY_g2FkA33fDI-3ISZ0AehjzrfoHiFi88Qa_4cQw3JNvYVN5StDWfKSIx6qXL2s8TEV9QHYiBqJfKF_DO6LxxKSZcKotfe2dro0bFXf4a23-fRt5llWV7V6Y_EIMjHLuXFqt6vJLtJhP3z0MnFiLfPpIpFuQOfM2C-nL88LB3ztkCkb6iUG1Hph9y0SDZSh3ZAkA4OjTgIIFrXXAhcYtVgy90tv3za2l0T87hD7sTvQ8v8COA6W1JwcBhDoGfxUNv4y9UPuOZqPBXq2v8JKF0spSOcMmbu5BrjVfkB7omEiR0UUld6gPE=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>
David Reinfurt, an independent graphic designer in New York City, will
report on his last six months in Rome as a fellow at the American Academy
interrogating Bruno Munari's *Tetracono*, a small, industrially produced
artwork-product from 1965.
*Monday, November 13 at 6pm*
Postcommodity | The Repellent Fence and Beyond
<http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAkjv_d_jRgySmF0lloxui4qAV1FlQK9LzXALp8rZCXtl4V4a6EoDqs-Buy8XesfDviy8sNPGXnKCPaMEElA7EpXAGVEUjlfiPSOnLvZm7e86TawEGCFLfmhrQ4yHg2OGJI0nWvouT1OvJbsu7dMmi0pRuKKJ1Qc5XqmzIhODGFpUQjF6ZYcCNKV4IWSJS-q7aPI9go4bhOq89S-9PcW0iyza1zQ_jgxOH-oAGXtkEh785Gi5vK8UA6wZm9kpWh1hK9h3SYFlCA01vrir0xa_lUDveli7-xhHEccdJZf0Re3uFZqb_L_ZS22gNGC7qN0meeiefTE_R-M9SbszG2K4mOOa60p_ngLTd3_9dRC194w6xuzGFbiFDiEI7VWm0PmXIbrAc1v4HfKG0=&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>
Postcommodity will discuss their 2015 land art installation and socially
engaged artwork *Repellent Fence*, and the implications of this work on
their art practice, their future work, and the field of contemporary art as
we approach the year 2043 (when the US transitions to a non-white
majority).
*Monday, December 4 at 6pm*
Judith Barry | A Discussion of Several Research-Based Projects
<http://r20.rs6.net/tn.jsp?f=001FRrp3tht6js8BHwSh0nNmZHyt8Ge_G849gE3fwOY_g61RLFBNevHPOKJCC62KXAkVFRM4mMGyME5IRvzqAM3AAgnyJ06OlP6X6ZUnopE7f7kezVdL2pduYMnj1PoQWJZpNRjBdu7xCM7LTurIqcs9E_up0frO1hKS24QFjtp0I2ZJfVeYd_-B-s_irK5oqzlKjxvrOJ0Iz_oLUccmnIkfr-pGssMywhKd1I1Qzbpr8LNYnx_oJAVbMd0U6kR1f4mYb6n1-e_eecvALMA_KoNqnyTUu7BgFA77D9R-T_t7O_4pBs85cWu8Z5G9R3zFUKBcd0yQIKWz_ZwccbJ1T8dVw9qXgXj7pCEb_PO66K__1HFpDxUvx52CmdoBnCWIy1ddacAsF0Yk4FqA8tPEfK2EL_jQ28H7QuMkceOX7ksxc53ziKGpdhuajFerOukftyuRKBaUEOtGa3WuTx1IgB2_OaREpYyUmBE&c=MnPkdrkd2HdXK7yfs35kQyochV9EzK2P4rzc7tHbEFELgT5bVC2jTg==&ch=xhDdTVGx9hE3gaBduTI9XGkKjLc1OPguYcKc0Xilj2nPckECOo_anQ==>
Judith Barry utilizes a research-based methodology to explore a wide range
of topics. Both the form and the content of her work evolve as the research
proceeds. She often makes use of installation, in various forms and
including exhibition design, as a way to combine many of her disparate
interests. These immersive environments are based on experiments
incorporating architecture, sculpture, performance, theatre, film/video/new
media, graphics, and interactivity.

*connect
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* give
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About the ACT Lecture Series
ACT's lecture series draws together artists, scholars, and other cultural
practitioners from different disciplines to discuss artistic methodologies
and forms of inquiry at the intersection of art, architecture, science, and
technology. ACT's Fall 2017 series is conceived by Gediminas Urbonas, ACT
Director, and coordinated with Marissa Friedman, Senior Communications and
Public Programs Assistant, and Laura Knott, Consulting Curator. This series
is made possible with the generous support of The Council for the Arts at
MIT (CAMIT)
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.
join
<http://visitor.r20.constantcontact.com/d.jsp?llr=ge9fapjab&p=oi&m=1109678811270>
 | contact
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*    School of Architecture and Planning
              *

-- 
Check out the Commons Transition Plan here at: http://commonstransition.org

P2P Foundation: http://p2pfoundation.net  - http://blog.p2pfoundation.net

<http://lists.ourproject.org/cgi-bin/mailman/listinfo/p2p-foundation>Updates:
http://twitter.com/mbauwens; http://www.facebook.com/mbauwens

#82 on the (En)Rich list: http://enrichlist.org/the-complete-list/
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