[P2P-F] Fwd: Printemps des Laboratoires#1 : Commune, Community, Common

Mon May 6 20:04:38 CEST 2013

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From: PERFmts <info at perfmts.net>
Date: Thu, May 2, 2013 at 3:54 PM
Subject: Printemps des Laboratoires#1 : Commune, Community, Common
To: michelsub2004 at gmail.com

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    <http://www.perfmts.net/index.asp>
 18.05.13

Printemps des Laboratoires #1
Commune, Community, Common

  Les Laboratoires d'Aubervilliers
41 rue Lécuyer
93300 Aubervilliers
France
tel. +33 11 53 56 15 90
Sat 18 - Sun 19 May
Free admittance
Reservation required:
reservation at leslaboratoires.org

w www.leslaboratoires.org<http://3an.r.mailjet.com/redirect/4bgjtp8zc4d55lbbjgzyn5/www.leslaboratoires.org/>

 Selections from *Steal this Book*, 2008, published by Castillo Corrales
under the direction of François Piron and Dora Garcia, design by Alex
Gifreu, based on the work by Abbie Hoffman published in 1971.

A guided public conversation around the ideas of Commune, Commons and
Community.  Two ‘Masters of Ceremonies’ journalist Jade Lindgaard and art
critic and curator Thomas Boutoux will coordinate meetings and lead the
audience, or rather, the members of this temporary community, through a
series of artistic, performative, and theoretical practices questioning the
subject. From the Paris Commune of 1871 to the emergence of
political alternative parties (the Green party in the 1980s, the Pirate
parties in the 2000s)  to the many citizen initiatives of today, the terms
Commune, Community and Commons have been fundamental expressions of
dissatisfaction towards the state of society and the res publica, the space
which belongs or should belong to everyone. "Grassroots" organisational
forms have taken an unexpected turn with the rise of social networks,
allowing experiments in education and self-organisation that resonate with
those that took place in the 60s and 70s.

Back then these experiments brought about far-reaching changes, but what
about now? To what extent are these movements powerful and sustainable? How
has contemporary art progressively adopted them? How can we organise
ourselves and create effective communities within a subculture with the
unique features of the art community?  how to mobilise the power of what is
“common”, of what must be constantly (re)composed by dynamic, shifting
communities? This Printemps des Laboratoires will be a chance to publicly
develop the examination of these questions.
The following are some of the people who will also be joining us for these
events: the S.A.L.E. collective, Antonio Casilli, sociologist Marie-Hélène
Bacqué, Cesare Pietroiusti, Joachim Scharloth, Jan Ritsema, writer and art
critic Barbara Casavecchia, participants in the occupation of
Notre-Dame-des-Landes ZAD planned airport site, Jack Ralite, John Jordan
and Isabelle Frémeaux, Sophie Whanich, Chantal Pontbriand, Mathilde Chenin,
Mathieu Huot, Valérie Pihet, film-maker Thomas Lacoste, artists Adva Zakai,
Latifa Laâbissi, Franck Leibovici and Diemo Schwarz, Mathieu Huot, Mathilde
Chenin, Gloria Maso.

[image: perfMTS]
15 Rue Haute
02820 Erme Outre et Ramecourt
France

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