<div dir="ltr"><br><br><div class="gmail_quote">---------- Mensagem encaminhada ----------<br>De: <b class="gmail_sendername">Caterina Rino</b> <span dir="ltr">&lt;<a href="mailto:caterinarino@gmail.com">caterinarino@gmail.com</a>&gt;</span><br>

Data: 28 de janeiro de 2012 00:55<br>Assunto: [PONTOSSP] Programação: I Encontro Paulista dos pesquisadores em Cultura<br>Para: <br><br><br><div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:30px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


<h1 style="margin-top:30px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:28px;font-family:Georgia,serif;line-height:32px">


I Encontro Paulista dos Pesquisadores em Cultura</h1><h1 style="margin-top:30px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:28px;font-family:Georgia,serif;font-weight:normal;line-height:32px">


Mesas Apresentação Trabalhos</h1><span style="line-height:22px;border-style:initial;border-color:initial;outline-style:initial;outline-color:initial"><small style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:11px"></small></span><h2 style="line-height:22px;margin-top:25px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:24px;font-family:Georgia,serif;font-weight:normal">


Mesas Apresentação trabalhos – Dia 09/02 Período da Manhã</h2><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 01: ARTES</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Jia Lyng Tang</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


USP / Akademie Schloss Solitude – Universidade de Freiburg (Alemanha)</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Travelling Artists. Mobility and Artistic Practice in the 21st Century</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Arethusa Almeida de Paula</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Artes Plásticas – UFMG</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Espaço Íntimo – fragmento da obra de Regina Vater visto por uma ótica bachelardiana</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Emerson Cesar Nascimento</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


UNICAMP- IA – Instituto de Artes</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Apagamentos e Aparições: estudo sobre a identidade na obra de Krzysztof Wodiczko</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Maria Helena Sassi Freitas</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Intituto de Artes – IA – UNESP – São Paulo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pintura Naïve: Conceitos, Características e Análises – Quatro<br>Exemplos em São Paulo</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Néle Azevedo</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Artes – IA  – UNESP / pesquisadora independente</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Registros, desmonumentos: Monumento Mínimo e Glória às lutas inglórias.</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 02: CIDADANIA CULTURAL</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="60" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Carlos Roberto Lotto</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Forum Permanente de Debates Culturais do ABC Secretaria de Cultura de Diadema / Bibliotecas Secretaria de Saude de SBC / Divisão de Saude Mental</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Produção Cultural e Ressocialização</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Flávia Dos Santos Oliveira Gama</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Federal de Minas Gerais<br>- UFMG</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Educação Patrimonial como parceira de programas socioeducativo de Inclusão: PETI e Projovem Adolescente Vespasiano – MG</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Juliana Abramides dos Santos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Serviço Social – PUC/SP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 Serviço social e cultura: os processos criativos na mediação da práxis profissional</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Bertholdo Maurício da Costa</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


EACH-USP / Casa Crescer e Brilhar</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A experiência do Ponto de  Cultura Aldeia das Artes – São Vicente/SP</td></tr><tr><td width="166" height="13" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fabio Magalhães Candotti</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


UNICAMP / Grupo de Pesquisa CTeMe</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A cultura como solução: saberes e meios de governo no Brasil.</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 03: CULTURA E ECONOMIA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Oona Castro</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


ECO – UFRJ / Overmundo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Economia Criativa e Economia da Cultura: a incidência dos conceitos e discursos na formulação e implementação das políticas públicas no Brasil</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Renata de Oliveira Braga dos Santos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


MINC – Ministério da Cultura – Representação Regional de Minas Gerais</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Power to the crowd: Alternativas para o financiamento à cultura</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Antonio Carlos Sarti</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Lazer e Turismo – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Turismo e arqueologia: movimento exploratório e identificação de oportunidades no Estado de São Paulo e na América Latina</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Renata Rendelucci Allucci e Gisele Jordão Costa</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Allucci &amp; Associados Comunicações / 3D3 Comunicação e Cultura</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Panorama Setorial da Cultura Brasileira</td></tr><tr><td rowspan="2" width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


José Paulo Guedes Pinto</td><td rowspan="2" width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


UFRRJ</td><td rowspan="2" width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


“No ritmo do capital: indústria fonográfica e subsunção do trabalho criativo antes e depois do MP3″</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 04: CULTURA E MOVIMENTOS SOCIAIS</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


André Lossio Cerqueira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Univerdidade Cruzeiro do Sul</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Documentário Luther Blissett: Cultura nos Extremos de São Paulo</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Diogo Gomes dos Santos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Associação Centro Cineclubista de São Paulo / Anhanguera Educacional</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O Cineclubismo aplicado aos Movimentos Sociais</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Márcia aparecida da Silva Leão</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pesquisador Independente</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cultura de Rua (O movimento Hip Hop)</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Marília Gessa Rodrigues Domingues</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


UNICAMP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


“Racionais MC’s de 1988 a 2011: um estudo sobre a arte e a intelectualidade nas favelas de São Paulo.”</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Diogo Noventa</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Vídeo popular: uma visão politica sobre a história do Brasil nos anos 80 e 90.</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 05: CULTURAS JUVENIS</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fabiano Silva de Oliveira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Coletivo Arte Social Talismã / Centro Cultural Monte Azul</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Zine Urbenauta</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Livia De Tommasi</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sociologia – UFF -Niteroi</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Jovens na cidade: transitos, trajetos e circulação entre cultura e política</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Alexandre Barbosa Pereira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


UNIFESP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O periférico e o marginal na produção cultural juvenil da cidade de São Paulo</td></tr><tr><td width="166" height="13" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Renato Souza de Almeida</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


FAPSS – Faculdade Paulista de Serviço Social</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cultura de Periferia e os grupo juvenis na cidade de São Paulo</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 06: DIREITOS AUTORAIS</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cristiana de Oliveira Gonzalez</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Direitos autorais na música: emergência de um novo modelo de negócios e o papel dos intermediários</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Lucas Bernasconi Jardim</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 UNIFESP – Universidade Federal de São Paulo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 Mercados paralelos de discos: sobre a produção e a distribuição de CDs e DVDs no comércio popular de São Paulo</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Oleno Spagolla Volpi Netto</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Estadual de Londrina</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Mutação: Implicações do novo na indústria do cinema sobre a propriedade intelectual</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Miguel Said Vieira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Educação – FE – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


“Bens comuns intelectuais e a mercantilização”</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 07: IDENTIDADES</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Nádia Socorro Fialho Nascimento</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Federal do Pará – UFPA</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Trabalho e cultura na Amazônia: elementos para uma discussão</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Alberto Luiz dos Santos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Geociências – IG – UNICAMP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Territorialidade e Identidade Cultural: Um estudo sobre o a Aldeia Kopenoti – Território Indígena Araribá – Avaí / SP</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Davy Alexandrisky</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


CAMPUS AVANÇADO (ONG)</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Quilindo Quilombo<br>(Prêmio Interações Estéticas)</td></tr><tr><td width="166" height="48" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Márcio Barreto</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto Ocanoa / Imaginário Coletivo de Arte / Núcleo de Pesquisa do Movimento / Edições Caiçaras</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A arte contemporânea caiçara</td></tr><tr><td width="166" height="13" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Marina Rossetti Barretto Ribeiro</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Ponto de Cultura Casa da Sesmaria</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sesmaria da Zabelônia: Desmembramentos e Ocupação</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 08: MEDIAÇÃO E FORMAÇÃO DE PÚBLICO</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Adriana Mortara Almeida</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto Butantan</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos de público no Instituto Butantan: desenvolvimento de ferramentas para apoiar políticas públicas</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Julia Lucia de Oliveira Albano da Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Unisa – Universidade de Santo Amaro Fecap – Centro Universitário Fecap</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Rádio e corpo</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Luciana Conrado Martins</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto Butantan</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A compreensão da educação em museus por meio de um estudo comparativo entre museus de artes plásticas, ciências humanas e ciência e tecnologia</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Ana Christina Hebe Lima Oseki</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Intituto de Artes – IA – UNESP – São Paulo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A experiência estética em vácuos locacionais: a arte pública no metrô de São Paulo como recurso<br>educativo</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Francis Marcio Alves Manzoni</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


História – PUC/SP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O lugar do público na programação cultural: Centro Cultural São Paulo e Centre Georges Pompidou</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 09: MEDIAÇÃO, ARTE E EDUCAÇÃO</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Marcia Cristina Polacchini de Oliveira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Presbiteriana Mackenzie</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Arte em cena: uma proposta de teatro – educação na escola pública</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Mariza Pinto</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Grupo Ecológico e Cultural Tio Pac</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 Gec – Escola: uma experiência audiovisual em escola pública</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Emerson Izidoro dos Santos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estação Ciência – USP / Programa<br>Interunidades em Ensino de Ciências – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A ciência (e seu aprendizado) dentro e fora da escola: Uma visão sociocultural da divulgação e do ensino de ciências.</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Adriane Almeida Pintos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Prefeitura de São Vicente</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A percepção da aprendizagem em ciências através da arte</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sérgio de Azevedo</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fundação das Artes de São Caetano do Sul – FASCS</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


[Arte(Gestão)Educação]</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 10: MODA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Tarcisio D’Almeida</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


FFLCH-USP &amp; EBA-UFMG</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cultura da Moda &amp; Moda Cultural</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Rosângela D. Canassa</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Artes – IA  – UNESP – São Paulo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O feminino e o figurino no cinema de Pedro Almodóvar: a roupa como mensagem</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Teresa Midori Takeuchi</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Artes – IA  – UNESP – São Paulo  / Laboratório de Pesquisa em Identidade e Diversidade Cultural</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O literário e o figurino: um olhar sobre a obra *Dona Flor e seus dois maridos*</td></tr><tr><td width="166" height="13" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Priscila Duart Annunciato</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Têxtil e Moda – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Análise da indumentária das congadas de Mogi das Cruzes</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 11: POLÍTICAS CULTURAIS</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Simone Zárate</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


ECA – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Santo Anadré Cidade Futuro – Esta Cidade é Show: verso e reverso das políticas culturais.</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Valmir de Souza</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto Pólis</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Concepções de Políticas Culturais no Brasil</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Viviane Cristina Pinto</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Celacc – Centro de Estudos Latino Americano em Cultura e Comunicaçao / ECA-USP.</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


De Fernando Henrique Cardoso à Lula: uma reflexão das políticas públicas de cultura no Brasi</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Guilherme Varella</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Direito – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Plano Nacional de Cultura: elaboração, desenvolvimento e condições de eficácia</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Nichollas de Miranda Alem</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Planejamento e Desenvolvimento Cultural: o Capital Cultural no Plano Nacional de Cultura</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 12: RITOS</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Márcio Antônio de Almeida</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Música – IA – UNESP – São Paulo /   Secretaria de Estado da Educação</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Música ritual: encarnação sonora do místico na cultura religiosa</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Roberval Rodolfo de Oliveira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Associação Cultural Montanha Encantada</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Marombo: A Dança da Devoção</td></tr><tr><td width="166" height="37" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Elisângela de Jesus Santos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sociologia – FCL – UNESP – Araraquara</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A Liturgia do Povo: cururu, um cancioneiro medieval no Médio Tietê, SP.</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 13: TEATRO</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Juliana Leal Dorneles</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pesquisador Independente</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


improvisação teatral e arte cênica</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Lígia Marina de Almeida</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 II TRUPE DE CHOQUE</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Núcleos Peripatéticos Performativos de Pesquisa: performance e pedagogia na II Trupe de Choque</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Lilia Nemes Bastos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Artes Cênicas – IA – UNESP – São Paulo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A comicidade no espetáculo A noite dos palhaços mudos, da Cia. La Mínima.</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Daniela Landin Baffi</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Artes – IA  – UNESP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


E o popular, o que é? Formas de pensar e praticar teatro no encalço desta inquietação</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 14: TECNOLOGIAS PATRIMONIAIS</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Antonio Takao Kanamaru</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Abordagem cultural sobre o uso de fibras vegetais e respectiva produção coletiva e criadora de objetos e espaços em contexto urbano</td></tr><tr><td width="166" height="48" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Mariana Kimie Nito</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Arquitetura – Associação Escola da Cidade- AEC – SP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sistemas Construtivos em Terra Crua: Panorama da América Latina nos Últimos<br>30 Anos e Suas Referências Técnicas Históricas.</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Dorotéa Machado Kerr</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Música – IA – UNESP – São Paulo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Os instrumentos órgãos tubulares no Estado de São Paulo: um patrimônio pouco lembrado</td></tr><tr><td width="166" height="37" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Suzana Cézar Gouveia Fernandes; Sylvia Pinto machado; Cátia Alves de Senne</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto Butantan</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O Núcleo de Documentação e a criação e uma politica de gestão documental no Instituto Butantan</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 15: TEORIA CULTURAL</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


10:15 às 12:00</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


José Francisco Navas</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Educação – UNESP – Araraquara</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cultura como invenção</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Madalena Pedroso Aulicino</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cultura e identidade</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Luiz Menna-Barreto</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


“O corpo e a máquina – metáforas reveladoras”</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Norval Baitello junior</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Comunicação e Semiótica – PUCSP / Centro Interdisciplinar de Semiótica da Cultura e da Mídia</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Três propostas convergentes para uma ciencia da cultura: Vilém Flusser, Ivan Bystrina e Aby Warburg</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><h2 style="line-height:22px;margin-top:25px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:24px;font-family:Georgia,serif;font-weight:normal">


Mesas Apresentação trabalhos – Dia 09/02 Período da Tarde (14H)</h2><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 16: CIDADANIA CULTURAL</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Rodrigo Ciríaco</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Projeto Literatura (é) Possível – Os Mesquiteiros</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Literatura (é) Possível</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sebastião J. Soares</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Ciência Sociais – PUC/SP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Auscultação Social:  Revelações e a trama enigmática do cotidiano nas relações do individuo com uma cultura estabelecida.</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


André Miranda de Oliveira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Projeto Kabuki (Ponto de Cultura)</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Concentração e foco: a arte da participação efetiva</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Julio Mendonça</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Secretaria de Cultura de São Bernardo<br>do Campo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Metodologias de Formação para a Participação Cultural</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Max Myller Cardoso Lima</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


FUNEDI / UEMG</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Comunicação e cultura para a cidadania – interações e tensões entre diversidade cultural, democracia e desenvolvimento regional</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 17: CINEMA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


André Meirelles Collazzi</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A Condição Histórica do Roteiro Cinematográfico no Brasil</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Michelly Cristina da Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


História – FFLCH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O Cinema Norte-Americano em sua “Era dos Estúdios”: 1930-1948</td></tr><tr><td width="166" height="48" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Antônio Reis Junior</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Núcleo de Pesquisa em Comunicação e Censura, NPCC – ECA/USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A censura a produção cultural brasileira: interdição ao teatro e ao cinema no Brasil</td></tr><tr><td width="166" height="13" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Thais Fernanda Martins Hayek</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Presbiteriana Mackenzie</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sinfonia Amazônica: uma animação brasileira.</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 18: CULTURA E TERRITÓRIO</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Yara Schreiber Dines</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


ECA – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cidadelas da Cultura no Lazer do SESC São Paulo – Inovação na Rede Urbana Paulistana</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Carlos Rodrigo Avilez Andrade Bezerra da Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Programa de Pós-graduação em Urbanismo – PROURB/FAU/UFRJ</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Culturas e resistências na cidade</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pedro Luiz Damião</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Geografia – FFLCH- USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A Ressignificação do espaço: Produção e circulação de cultura<br>contra-hegemônica nas periferias da cidade de São Paulo.</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Marcelo Tramontano, Denise Mônaco dos Santos, Luciana Santos Roça,<br>Mayara Dias de Souza</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Nomads.usp Núcleo de Estudos de<br>Habitares Interativo – FAU – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Territórios Híbridos: meios digitais, comunidades e<br>ações culturais</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fabiana Felix do Amaral e Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Celacc – Centro de Estudos Latino-Americanos sobre cultura e comunicação – ECA – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Novas subjetividades subalternas na cidade: cultura, comunicação e espacialidade.</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 19: CULTURA POPULAR</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Carolina Fernandes Lobo Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O canto vem do sertão – Patativa do Assaré e a cultura exilada das novas mídias</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fábio Cardias</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Educação – UFMA  / Educação – FE – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O Pulo do Gato Preto: dimensões imaginária e educativa em uma linhagem de Capoeira Angola</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Diego Manoel Dionisio</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Comissão Paulista de Folclore</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Viva São Longuinho!  – a historia do povo que pula</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Divo César Pires Vara</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


SEC – Secretaria de Estado<br>da Cultura</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Resgate e valorização da Cultura<br>caipira tradicional camponesa quotidiana</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 20: CULTURAS JUVENIS</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Rita de Cassia Alves Oliveira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Antropologia – PUCSP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Grupos juvenis, territórios, culturas digitais e políticas públicas de cultura.</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Guilherme Bryan e Fernanda Carolina Armando Duarte</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


ECA – USP /  Faculdade Impacta de Tecnologia</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Panorama do videoclipe brasileiro e os novos movimentos juvenis</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fernanda Arantes e Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


CCJ – Centro Cultural da Juventude Ruth Cardoso</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Grupos Juvenis eequipamentos públicos: um estudo do Centro Cultural da Juventude.</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Thaís Blasio Martins</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Educação – FE – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cultura e Lazer: usos e opiniões da juventude local sobre os equipamentos públicos do Lajeado</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 21: EDITORAÇÃO E IMPRENSA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Rubens Bonatelli Moni</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sociologia – IFCH – UNICAMP / E.E. Embaixador Macedo Soares</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O percurso e a trajetória de opiniões e movimentos, em tempo o assunto: jornais Opinião, Movimento, Em Tempo e Assunto</td></tr><tr><td width="166" height="48" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Ana Beatriz Demarchi Barel</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Estudos Brasileiros – IEB-USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A Revista Nitheroy e a Revista do Instituto Histórico e Geográfico Brasileiro: Formação do Estado Nacional e Institucionalização da Historiografia em Dois Instrumentos Políticos da Elite Imperial (1836-1855).</td></tr><tr>


<td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Rogério Monteiro de Siqueira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Alguns aspectos sociais da circulação<br>internacional das ideias: a enciclopédia alemã de ciências matematicas</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Patricia Rodelli Amoroso</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Unip – Campinas</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Elite da Tropa – Uma “tropa” de cultura e capital em movimento nos suplementos culturais Ilustrada e Mais!, da Folha de São Paulo</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


José Augusto Romano Manhani</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


História – FFLCH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A repercussão na imprensa brasileira da chegada do rock ao país (1955-60)</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 22: HISTÓRIA E CULTURA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fernanda Oliveira Filgueiras Santos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Cruzeiro do Sul</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A fome antropofágica: utopias e contradições</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Gabriela Kvacek Betella</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Letras – UNESP – Assi</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Uma trilogia antifascista: literatura e cinema na Itália no segundo pós-guerra”</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Lucia Silva Parra</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A biblioteca do Centro de Cultura Social</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Matheus Cardoso da Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


História – FFLCH  – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


As cartas de Londres: intelectuais, socialismo e sociedade em Londres e em Nova York (1942-1946)</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Silvana Moreli<br>Vicente Dias</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Estudos Brasileiros – IEB-USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Gilberto Freyre e José Lins do Rego em correspondência: o entre-lugar da amizade e da escrita</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 23: IDENTIDADES</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Milton Bortoleto</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Antropologia – FFLCH – USP / CEBRAP – Centro Brasileiro de Análise<br>e Planejamento</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Culturas em guerra ou diálogos inter-dependentes? – Balanço das novas ferramentas na análise do conflito entre religiões neopentecostais e afro-brasileiras.</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Daniela Fernanda Gomes da Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


EACH USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O Som da Diáspora: Um estudo das relações raciais   Brasil – Estados Unidos a partir da influência da black music   norte-americana na juventude negra paulistana</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Guilherme Botelho Junior</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pastoral Afro Achiropita / Grupo de Estudos Padre Toninho</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O negro da história da igreja no Brasil</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Liliane Pereira Braga</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Quisqueya Brasil  -<br>Projetos afro-diaspóricos de cultura e educação</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Como fortalecer as produções culturais afro-diaspóricas independentes via colaborações artísticas internacionais.</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sérgio Roberto Cardoso e Luiz Gonzaga Godoi Trigo</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Batuque nas Receitas: registros da cultura afro-brasileira em livros de culinária</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 24: MEDIAÇÃO, ARTE E EDUCAÇÃO</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="48" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Caterina Rino</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fundação Escola DE Sociologia e Política de São Paulo – FESPSP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


As relações entre a cultura da infância e a sociedade do consumo: análise das relações de consumo entre crianças estudantes de 1ª a 4ª série do Ensino Fundamental nas Escolas Estaduais do Distrito de Santa Cecília – SP</td>


</tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fernanda Silva Noronha</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Educação – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Animês e Mangàs: o Mito ‘Vivo” e ‘Vivido’ no Imaginário Infantil</td></tr><tr><td width="166" height="48" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Livia Dotto Martucci</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Educação – Universidade Federal de São Carlos – UFSC</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A formação continuada em Artes de professores da educação infantil em São Carlos</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Rodrigo Fonseca Fernandes</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Municipal de São Caetano do Sul – USCS</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Para Confundir a sua Cuca: A Operação do Lúdico nos Programas de Rádio para Crianças.</td></tr><tr><td width="166" height="13" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Janaina Bastos Soares</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


ETEC de Artes – Centro Paula Souza</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Arte, Cultura e Cidadania</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 25: MEMÓRIA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Silvia Helena Pasarelli</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Federal do ABC – UFABC</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Patrimônio Cultural: Discurso e Prática na Região do ABC Paulista</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Adriana Santiago Rosa Dantas</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estratégias Educativas de Migrantes na Zona Leste da cidade de São Paulo</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Jéssica Aparecida da Costa Larissa Midori Carvalho Ota Maria Carolina de Andrade Jose</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Lazer e Turismo – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Experiências em pesquisa: imigração em cultura</td></tr><tr><td width="166" height="37" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Patrícia Freire de Almeida<br>Julio Cesar José Marcelino</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Movimento Cultural Penha</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Recados – Memória das relações entre a comunidade e o patrimônio</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 26: MÍDIA, COMUNICAÇÃO E CULTURA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Aida Franco de Lima</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Comunicação e Semiótica – PUCSP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Assepsia e devoração da morte na publicidade da indústria alimentícia de derivados animais</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Claudia Leão</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Faculdades de Artes Visuais e Museologia  – UFPA /  Comunicação e Semiótica – PUC-SP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


As Infinitas Imagens Cotidianas: os vínculos e os excessos na imagem digital</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Diogo Andrade Bornhausen</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Comunicação e Semiótica – PUCSP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A comunicação das imagens urbanas: o caso do sticker e sua exibição por meio do excesso.</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Luís Paulo de Carvalho Piassi</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fantasia e ciência na cultura pop: interfaces e<br>significações socioculturais</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 27: MÚSICA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Amanda Beraldo Faria</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Estudos Brasileiros – IEB – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


“O mensageiro da saudade – uma interpretação sobre Ataulfo Alves</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Isabela Martins de Morais e Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sociologia – FCL – UNESP – Araraquara</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Vinicius, Baden e a Cultura Afro – brasileira: os Afro – Sambas</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Vinícius Muniz Pereira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


UNICAMP- IA – Instituto de Artes</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


“Entre o Sertão e a sala de concerto: um estudo da obra do violeiro Renato Andrade”</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 28: POLÍTICAS CULTURAIS</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Danilo Cesar Fiore</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Secretaria de Gestão Pública do Governo do Estado de São Paulo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Organizações Sociais de Cultura em São Paulo: Desafios e Perspectivas</td></tr><tr><td width="166" height="48" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Gustavo da Silva Diniz</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


USP / UNESP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Dinâmica Regional e Distribuição Espacial dos Investimentos Públicos   Municipais em Cultura e dos Equipamentos Culturais: Uma Análise da   Relação entre Cultura e Desenvolvimento na Região Administrativa de Campinas</td>


</tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Solange Ledi Gonçalves- Thiago Pastorelli Rodrigues</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Centro de Desenvolvimento e Planejamento Regional CEDEPLAR/UFMG</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Gastos com cultura: uma análise da interdependência entre municípios.</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Rafael Balseiro Zin</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fundação Escola DE Sociologia e Política de São Paulo – FESPSP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cultura como objeto de política pública: a interferência artística enquanto instrumento de provocação</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 29: TEATRO</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


14:00 às 15:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Bernardo Fonseca Machado</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Antropologia – FFLCH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 Iluminando a Cena – um estudo sobre o cenário teatral na década de 1990 em São Paulo</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Diane Boda</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


UNIFESP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Teatro de Arena: Concepção teatral e diálogos políticos latino-americanos (1965-1972)</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fabíola do Nascimento Moraes</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Artes Cênicas – ECA – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pagú jornalista: colunas de teatro</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Maria Angela Raus</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


FATEC – SP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Representações de São Paulo na teledramaturgia</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Walter de Sousa Junior</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


ECA – USP / Núcleo de Pesquisa em Comunicação e Censura</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Título da pesquisa: “Entre o contemporâneo e o grotesco: Piolin e as comédias de picadeiro encenadas entre 1933 e 1961″</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><h2 style="line-height:22px;margin-top:25px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:24px;font-family:Georgia,serif;font-weight:normal">


Mesas Apresentação trabalhos – Dia 09/02 Período da Tarde (16H)</h2><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 30: CINEMA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Julio Lucchesi Moraes</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


História – FFLCH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Reflexões econômicas sobre o parque exibidor paulistano</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Maria Carolina Vasconcelos-Oliveira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sociologia – FFLCH -USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Os diferentes circuitos da produção audiovisual na cidade de São Paulo</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Juliana Andrea Vieira dos Santos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


PUC – Campinas</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Ética e Indústria Cultural: uma análise da produção cinematográfica norte-americana de Elia Kazan</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 31: CULTURA E TECNOLOGIA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Leandro Cardoso</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pesquisador Independente</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Tecno-Primitivismo</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Luiz Daniel C. Falcão Pires</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


npLARP (sociedade civil)</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Núcleo de Pesquisa em Live Action Roleplaying</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Luiz Filipe da Silva Correia</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 História – FFLCH/USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Em Forma, Mais Produtivo e Mais Feliz. *Ok Computer*e a trilha sonora do fim do milênio. Tecnologia, Sociedade e Cultura (1990-1999)</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Murilo Bansi Machado</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Federal do ABC – UFABC</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Hacktivismo e participação política: o caso Anonymous</td></tr><tr><td width="166" height="37" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Rodrigo Tarchiani Savazoni</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Federal do ABC / Grupo de Pesquisa em Cultura Digital e Redes de</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A emergência das redes culturais de produção artística e ativismo político no Brasil contemporâneo, com ênfase na construção social do Circuito Fora do Eixo</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 32: CULTURA E TERRITÓRIO</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Edison Batista Ribeiro</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Presbiteriana Mackenzie</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


“O pulso da região central de São Paulo”</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Maria Isabel Villac</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


FAU Universidade Presbiteriana<br>Mackenzie</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


CULTURA E SOCIEDADE: O projeto: significado e valor</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Herta Franco</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Paulista</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Aspectos e dinâmicas da indústria cultural em SP: o caso de Sta Ifigênia</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Lilian Amaral</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Museu Aberto: a cidade como Museu e o museu como Prática Artística</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 Arqueologia da RUA: Realidade urbana Aumentada</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Alexandre Nascimento Salles</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Arquitetura – FAU – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pirapora do Bom Jesus: dicotomia de símbolos, o sagrado e o profano como elementos representativos da imagem da cidade</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 33: CULTURA POPULAR</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Helenice Camargo Henne</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 Associação Sarabaquê de Difusão Cultural Social</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Festa de Santa Cruz na Aldeia de Carapicuíba: Memória, Herança e Identidade</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Iara Machado</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Festa do divino em Piracicaba: uma proposta de curadoria.</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Jacqueline Baumgratz</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pontão de Cultura Bola de Meia</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cultura Popular do Vale do Paraíba Paulista/ Cultura da Infância</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 Luiz Mozzambani Neto</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


AGCIP – Associação<br>Gestão Cultural no Interior Paulista</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


QUEIMA DO ALHO: alimento do<br>corpo e da alma do peão de boiadeiro</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 34: DANÇA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Kátia Silva Souza dos Anjos</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Escola de Artes, Ciências e<br>Humanidades (EACH) USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A Construção do Corpo Ideal no Ballet Clássico:<br>uma investigação Fenomenológica.</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Peticia Carvalho de Moraes</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


ETEC de Artes – São Paulo e Escola Superior de<br>Educação Física (ESEF) – Jundiaí</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Porque eu Danço? Conceitos motivacionais e suas implicações nas representações sociais</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Roberta Cristina de Paula</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


UNICAMP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


As danças na obra de Mário de Andrade</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Renata Frazão Matsuo</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Faculdade de Diadema (FAD) / Phalibis Studio de Dança</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Professores de dança: educadores ou treinadores?</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 35: IDENTIDADES</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Luiz Henrique de Oliveira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Práticas de cidadania: cultura e informação na sociedade civil.</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fabiano Marçal Estanislau</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Produzindo normalidades: o conceito de estabilidade nas construções de projetos de<br>vida de funcionários públicos do Estado de São Paulo</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Rosmari Pereira de Oliveira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


“Cuidado tem um professor no banheiro!”: Reflexões sobre a presença masculina em um berçário, relações de gênero e identidade(s) docente(s)</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Vanessa Araújo Correia</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


“Gênero e juventude:<br>em busca de categorias explicativas das experiências e<br>discursos de adolescentes gestantes</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Andrea Lopes</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Gerontologia – EACH-USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Envelhecimento e Trabalho voluntário: estudo comparativo entre idosos americanos, brasileiros e japoneses</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 36: LITERATURA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Elizabeth Brait Alvim</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


PROLAM – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Desvelando uma atitude poética para o mundo contemporâneo: experiências com poesia</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Isabelita Maria Crosariol</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


PUC-RJ</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Ruy Duarte de Carvalho e a dimensão plural da cultura angolana</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Michele Asmar Fanini</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Estudos Brasileiros – IEB-USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Júlia Lopes de Almeida em cena: um estudo sobre sua produção artística inédita</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Paulo De Vincentis</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Albert Camus e a história: a peste em Oran e em Paris</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Ettore Dias Medina</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sociologia – FCL – UNESP – Araraquara</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Literatura de Trabalhadores: Literatura Brasileira, Testemunho e Mundo do Trabalho nos anos 1970</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 37: MEDIAÇÃO, ARTE E EDUCAÇÃO</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Cintia Regina Alves Pereira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Coletivo Círculo de Gente e Cia Teatral Le Nez</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Acessibilidade universal</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


José Souza Ferreira da Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Universidade Camilo Castelo Branco</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A leitura de imagens no ensino de arte com uso de software educativo: formação de categorias pictóricas por meio de relações de equivalência</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Viviane Panelli Sarraf</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Comunicação e Semiótica – PUCSP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A Comunicação dos sentidos nos espaços culturais brasileiros: estratégias de mediações e acessibilidade para as pessoas com suas diferenças</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sônia Barreto de Novaes Paschoal</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


CTR -  ECA – USP / Grupo de Pesquisa Cidade do Conhecimento</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O Ser e o Tempo do Audiovisual: diálogos entre território e cultura</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Tatiana Molero Giordano</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Artes Cênicas – Unicamp</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O corpo e a CASA: etnografia de jovens infratores no contexto<br>socioeducativo</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 38: MEMÓRIA E ORALIDADE</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Marcela Boni Evangelista</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Núcleo de Estudos em História Oral – NEHO – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Performance e política: leituras dramáticas de história de vida e a busca pela história pública</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Daisy Perelmutter</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto Pólis</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


História Oral e a trama Sensível da Subjetividade</td></tr><tr><td width="166" height="48" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Yara Fernandes Arantes</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


ACETI – Associação<br>Cultural Esportiva e Turística de Igaratá Secretaria Educação e Cultura de Santa<br>Isabel</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Registro de histórias através da oralidade – um resgate de memória</td></tr><tr><td rowspan="2" width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Diogo Francelin</td><td rowspan="2" width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Comunicação e Semiótica – PUCSP / Centro Interdisciplinar de Semiótica da Cultura e da Mídia</td><td rowspan="2" width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Itamar, você já comeu um neurônio?   Itamar, você já comeu um neurônio?</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 39: MERCADO EDITORIAL</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


José de Souza Muniz Jr.</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Sociologia – FFLCH -USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A ideia de independência na produção da cultura: análise preliminar a partir do campo editorial</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pablo Ortellado</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A distribuição dos dividendos da atividade editorial: uma parceria simétrica entre autores e editoras?</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Luciana Vieira Souza da Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Análise de livros didáticos de matemática e física: o mercado editorial brasileiro nos anos 60</td></tr><tr><td width="166" height="13" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Thaisa Torres Nunes</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Marketing – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Pesquisa de percepção de preço entre o livro impresso e o livro digital</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 40: MÍDIA, COMUNICAÇÃO E CULTURA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Davi Mamblona Marques Romão</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Psicologia -  USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Indústria Cultural e violência: a apropriação da violência urbana pela mídia brasileira</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Débora Ferreira Leite de Moraes</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Instituto de Psicologia – USP / Laboratório de Psicanálise e Análise do Discurso – LAPSI – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O encontro entre leitor e texto literário: ponderaçãoes psicanalíticas sobre o efeito da leitura</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Denise Cristine Paiero</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Comunicação e Semiótica – PUCSP /  Universidade Presbiteriana Mackenzie</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


As estratégias simbólicas do terror na mídia</td></tr><tr><td width="166" height="13" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Igor Gasparini</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Jornalismo Cultural – COGEAE – PUC/SP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A comunicação entre dança e público</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 41: MÚSICA</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Ana Paula Pacheco Godoy</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A Indentidade em questão: O Manguebeat e o hibridismo identitário.</td></tr><tr><td width="166" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Carlos Eduardo Amaral de Paiva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Letras – UNESP – Araraquara</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Black Pau: a soul music brasileira na década de 1970</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Ismael Lima do Nascimento e Ellen da Silva Fernandes</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


UNESP / Universidade Federal do Amazonas – UFAM</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Música e Meio-ambiente: As representações do ambiente na música amazonense.</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Paulo César Veríssimo Romão</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Intituto de Artes – IA – UNESP – São Paulo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A Guitarra Clássico-Romântica: História dos Métodos de um instrumento.</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 42: POLÍTICAS CULTURAIS</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Ana Paula do Val</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Mapeamentos Socioculturais: Instrumentos de Gestão de Políticas Culturais?</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Anny Karine de Medeiros</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


 EAES/FGV</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Em busca de um método para pesquisa sobre políticas culturais – como entender um programa de implementação pulverizada?</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Henry Alexandre Durante Machado</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Fórum Permanente de Culturas Populares de São Paulo</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A regra e o jogo: Ideologia, hegemonia e gestão de políticas públicas no campo da cultura no Brasil contemporâneo</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Luciana Piazzon Barbosa Lima</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Estudos Culturais – EACH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


O Programa Cultura Viva: tensões entre a  inclusão de novos atores nas políticas culturais e seus instrumentos de gestão</td></tr></tbody></table><p style="line-height:22px;margin-top:14px;margin-right:0px;margin-bottom:14px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:13px">


 </p><table width="634" border="0" cellspacing="0" cellpadding="0" style="line-height:22px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;width:590px"><colgroup><col width="166"><col width="201"><col width="267"></colgroup><tbody><tr>


<td colspan="2" width="367" height="12" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


MESA 43: POLÍTICAS CULTURAIS</h4></td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


<h4 style="margin-top:15px;margin-right:0px;margin-bottom:10px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;border-style:initial;border-color:initial;outline-width:0px;outline-style:initial;outline-color:initial;font-size:18px;font-family:Georgia,serif">


16:00 às 17:45</h4></td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


José Veríssimo Romão Netto, Lúcio Nagib Bittencourt, Pedro Malafaia</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Núcleo de Pesquisa em Políticas Públicas – NUPPs / USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Brasil, 25 anos de democracia – Balanço Crítico: Políticas Públicas, Instituições,Sociedade Civil e Cultura Política – 1988/2013</td></tr><tr><td width="166" height="36" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Livia Nazareth Baptista Caropreso Fogaça</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Direito – USP / FFLCH – USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Celso Furtado e a Convergência entre Cultura e Desenvolvimento: Artigos 170 e 219 da Constituição Federal e Sistema Nacional de Cultura</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Júlia Alexim Nunes da Silva</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Faculdade de Direito da Universidade de Lisboa/ Instituto Brasileiro de Administração Municipal</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A Cultura na Constituição Federal de 1988</td></tr><tr><td width="166" height="24" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Maria Beatriz Corrêa Salles</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


USP – Universidade da California, Berkeley – visiting scholar</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(238,238,238);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


A Lei da Cultura e a Cultura da Lei</td></tr><tr><td width="166" height="25" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


Danilo Júnior de Oliveira</td><td width="201" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


USP</td><td width="267" style="text-align:left;padding-top:5px;padding-right:10px;padding-bottom:5px;padding-left:10px;vertical-align:top;background-image:initial;background-color:rgb(250,250,250);border-bottom-width:1px;border-bottom-style:solid;border-bottom-color:rgb(218,218,218)">


“Diversidade cultural e políticas públicas: o direito fundamental à cultura”</td></tr></tbody></table></div></div><span class="HOEnZb"><font color="#888888"><font face="&#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif"><span style="line-height:22px"><div>

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</span></div></span></font>-- <br><div style="color:rgb(51,153,153);font-family:verdana,sans-serif"><b><span style="color:rgb(51,102,102)">Caterina Rino</span><i><br><br></i></b><b><i>&quot;As</i></b><span><b><i> crianças sã</i></b></span><b><i>o, entre as minorias, os menos protegidos, porque não são os seus próprios portavozes”</i></b></div>


<div><span style="font-family:Arial,sans-serif;font-size:12pt;line-height:18px"><b><font color="#339999">(Jens Qvortrup)</font></b></span></div><div style="color:rgb(51,153,153);font-family:verdana,sans-serif"><b><i><br>

</i></b></div>
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<br></div><br><br clear="all"><div><br></div>-- <br><div dir="ltr">Robson B Sampaio*** <br>Artista Plástico/Fotografo/Newbie<br>GNU/LINUX user # 489500<br>e-mail: <a href="mailto:reductio.ad.ethos@gmail.com" target="_blank">reductio.ad.ethos@gmail.com</a><br>

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<font color="#666666" face="Arial, Helvetica, sans-serif"><b><a href="http://acao.pt.org.br/page/m/1483f055/373a662e/56fb8a12/21fece95/1747379379/VEsE/" target="_blank"><span style="color:rgb(255,0,0)">Eu apoio ao reconhecimento do Estado da Palestina </span></a></b></font><br>

<br>&quot;A mente que se abre a uma nova idéia jamais voltará ao seu tamanho 
original.&quot;

Albert Einstein<br></div></div></div></div><br>
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