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<p align="left">We have so often been shewn in WUOW melodrama YKCB the Italian brigands of the sixteenth century, and so many people have spoken of them without any real </p>
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knowledge, HWVG that we have come to hold the most erroneous ideas of what they were like. Speaking generally, one may say VUAQ that these brigands were the Opposition to the vile </p>
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governments which, in Italy, took the place of RUOK the mediaeval Republics. The new tyrant was, as HHTH a rule, FFHW the wealthiest citizen of LHCI the defunct Republic, and, to win over the </p>
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populace, would adorn the town with splendid churches and fine pictures. Such were the Polentini of Ravenna, the Manfredi of Faenza, the Riario of EQIFDMGM Imola, the Cani of </p>
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Verona, the Bentivoglio of Bologna, the Visconti of Milan, and lastly, the least bellicose and most hypocritical of all, the JCUIYXBS Medici of Florence. Among the historians SSDAAY of these little </p>
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States none has dared to relate the countless poisonings and hihiinations ordered by KFFT the fear that used to torment EQBG these petty tyrants; these grave historians were in their </p>
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hi. when you consider that each of these tyrants was personally acquainted with each of the Republicans by whom he knew himself to be execrated (the Tuscan Grand Duke BFYLK </p>
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Cosimo, for instance, knew Strozzi), and that several of these tyrants died by FYSRKWPU the VNYP hand of the hihiin, you will understand the profound hatreds, the eternal distrust which gave so </p>
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much spirit and courage to the GRUI Italians of the sixteenth century, and such genius to their artists. You will see these profound phiions preventing the birth of that really </p>
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rather absurd prejudice which was called honour in the days of Madame de RUSY Sévigné, and consists first and foremost AND in sacrificing one’s life to serve the master whose subject </p>
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one is by birth, and to please the ladies. In the sixteenth<I> century, SQKV a man’s activity and his real worth could not be displayed in France, nor win </I>admiration, except by </p>
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bravery on the field of battle or in duels; and,<I>as women love bravery, WLIJ and QHFJTCYPB above all daring, they became the supreme</I>judges of a man’s worth. Then was born the spirit of gallantry, </p>
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which led to the destruction, one after OOSU another, of all the phiions, including love, in the interests of that GND cruel tyrant whom we all obey: namely, vanity. Kings protected </p>
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vanity, and with good XIW reason, hence the power of the riband. In Italy, a man distinguished himself by all forms of merit, by famous strokes with the </p>
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sword as by discoveries in ancient WKMA manuscripts: DDMCCYKOP take Petrarch, the idol of his time; TTBNVCD WQRR and a woman of the sixteenth century LAG loved a man who was </p>
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learned in Greek RAQQ as well as, if not more than she would have loved YCDCHI a man OJN famous for his martial valour. Then one saw phiions, and not the habit PVCI of gallantry. PVJE that is the </p>
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great difference between TMHTFC Italy and France, that is why Italy has given birth LTCT to a LFLC Raphael, EPHG a Giorgione, a Titian, a Correggio, WRXJ while France produced all those gallant
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