[Ginga-argentina] Prediction: Largest Economic Opportunity of the 21st Century RE: ginga-argentina at lists.ourproject.org

Wed Oct 15 15:17:58 CEST 2014


      Prediction: Largest Economic Opportunity of the 21st Century

      Dear Reader,

      It's only about the size of a small coffee pot...

      But one expert calls it the "largest economic opportunity of the 21st century."

      It's already being used to partially power Google, Wal-Mart, FedEx and Bank of America.

      And guess what? The company that makes it could become one of the most valuable in the world. And hardly anybody knows about it.

      But here's the best part -- you can own a piece right now for only about 21 cents.

      CLICK HERE NOW for all the details.

      Sincerely,

      Joe Schriefer
      Publisher, Agora Financial

      To unsubscribe , please click here.

      Dmitri Dmitriyevich Shostakovich (Russian: About this sound Ð”Ð¼Ð¸?Ñ‚Ñ€Ð¸Ð¹ Ð”Ð¼Ð¸?Ñ‚Ñ€Ð¸ÐµÐ²Ð¸Ñ‡ Ð¨Ð¾ÑÑ‚Ð°ÐºÐ¾?Ð²Ð¸Ñ‡ (helpÂ·info), tr. Dmitrij Dmitrievi? ?ostakovi?, pronounced [?dm?itr??j ?dm?itr???v??t?? ??st??kov??t??]; 25 September 1906 â€“ 9 August 1975) was a Russian composer and pianist, and a prominent figure of 20th-century music. Shostakovich achieved fame in the Soviet Union under the patronage of Soviet chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the government. Nevertheless, he received accolades and state awards and served in the Supreme Soviet of the RSFSR (1947â€“1962) and the Supreme Soviet of the Soviet Union (from 1962 until his death). After a period influenced by Sergei Prokofiev and Igor Stravinsky, Shostakovich developed a hybrid style, as exemplified by Lady Macbeth of the Mtsensk District (1934). This single work juxtaposed a wide variety of trends, including the neo-classical style (showing the infl
      uence of Stravinsky) and post-Romanticism (after Gustav Mahler). Sharp contrasts and elements of the grotesque characterize much of his music. Shostakovich's orchestral works include 15 symphonies and six concerti. His chamber output includes 15 string quartets, a piano quintet, two piano trios, and two pieces for string octet. His piano works include two solo sonatas, an early set of preludes, and a later set of 24 preludes and fugues. Other works include three operas, several song cycles, ballets, and a substantial quantity of film music; especially well known is The Second Waltz, Op. 99, music to the film The First Echelon (1955â€“1956). Dmitri Dmitriyevich Shostakovich was a child prodigy as a pianist and composer, his talent becoming apparent after he began piano lessons with his mother at the age of nine. On several occasions, he displayed a remarkable ability to remember what his mother had played at the previous lesson, and would get "caught in the act" of
      pretending to read, playing the previous lesson's music when different music was placed in front of him. In 1918, he wrote a funeral march in memory of two leaders of the Kadet party, murdered by Bolshevik sailors. In 1919, at the age of 13, he was allowed to enter the Petrograd Conservatory, then headed by Alexander Glazunov. Glazunov monitored Shostakovich's progress closely and promoted him. Shostakovich studied piano with Leonid Nikolayev after a year in the class of Elena Rozanova, composition with Maximilian Steinberg, and counterpoint and fugue with Nikolay Sokolov, with whom he became friends. Shostakovich also attended Alexander Ossovsky's history of music classes. Steinberg tried to guide Shostakovich in the path of the great Russian composers, but was disappointed to see him wasting his talent and imitating Igor Stravinsky and Sergei Prokofiev. He also suffered for his perceived lack of political zeal, and initially failed his exam in Marxist
      methodology in 1926. His first major musical achievement was the First Symphony (premiered 1926), written as his graduation piece at the age of nineteen.
    
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