Furtherfield presents
MADE REAL
An exhibition by Scott Kildall and Nathaniel
Stern, the founders of Wikipedia Art
27 May – 25 June 2011 –
12-5pm
Private
View: Thursday 26 May 2011, 6.30-9pm
Furtherfield, Unit A2, Arena Design Centre, 71 Ashfield Rd,
London N4 1NY
Networks – social, political, physical and digital – are a
defining feature of contemporary life, yet their forms and
operations often go unseen and unnoticed. For this exhibition
Scott Kildall and Nathaniel Stern, artists and co-founders of
Wikipedia Art take these networks as their artistic materials
and play-spaces to create artworks about love, power-play and a
new social reality.
Three works are shown for the first time in the UK: Wikipedia Art, a collaborative work “made”
of dialogue and social activity; Given Time, an Internet artwork that
creates a feedback loop across virtual and actual space; and Playing Duchamp, a one-on-one meeting and
game between an absent artist and viewer/participant.
Contact Alessandra Scapin ale@furtherfield.org
Free admission to exhibition
and events
http://www.furtherfield.org/exhibition/made-real
Wikipedia Art by Scott
Kildall and Nathaniel Stern
‘if
you claim something to be true and enough people agree with
you, it becomes true.’ Steve Colbert on Wikiality
'I now
pronounce Wikipedia Art ... It’s alive! Alive!' Kildall and Stern
Scott Kildall and Nathaniel Stern famously used Wikipedia as an
artistic platform, creating a collaborative project that
explores and challenges our understanding of how knowledge is
formed and disseminated. For over a year they planned the
initiation of Wikipedia Art, a socially generated artwork that exploits
a feedback loop in Wikipedia’s citation mechanism. Here, a "word
war" across blogs, interviews and the mainstream press, which
involved Wikipedians, artists, journalists, lawyers and even the
Wikimedia Foundation itself, continuously defined and
transformed a work of art in much the same way that these
categories define the discourses of the everyday.
'We ask our potential
collaborators – online communities of bloggers, artists and
instigators – to exploit the shortcomings of the Wiki through
performance.' Kildall and Stern
(Often unwitting) collaborators 'performed' the work through a
debate about its aesthetic, conceptual and legal legitimacy in
over 300 texts in over 15 languages on the Internet via blogs
and forums such as Rhizome and Slashdot, and in the press
including the Wall Street Journal and the Guardian UK.
This exhibition charts the inception, birth, life, death and
resurrection of Wikipedia Art, which questions the authoritative role of
Wikipedia, and reveals its fallibility whilst debating the
control of access to and creation of knowledge.
Wikipedia Art featured in the Internet
Pavilion of the Venice Biennale 2009. In 2011 it was an awarded
finalist at the Transmediale festival in Berlin.
Given Time
by
Nathaniel Stern
Furtherfield
presents
Stern's polar projections of Second Life lovers. Second life is
a 3D simulated and virtual world, inhabited daily by thousands
of people around the globe. To access Second Life, you must
embody an avatar (a virtual human representation of yourself),
seeing what they see through a computer screen. Stern places us,
and his lovers, in a feedback loop between virtual and actual
space.
In Given Time, two life-sized and hand-drawn avatars simultaneously stare longingly across their virtual pond, and the real world gallery floor. They hover in mid-air, almost completely still, supported by the gentle sounds of their breath, the wind blowing, and birds in the far off distance. The viewer is both the observer and participant of this reciprocal relationship. Through the bodies and eyes of another, we see, look and are seen. Stern says: "Here, an intimate exchange between dual, virtual bodies is transformed into a public meditation on human relationships, bodily mortality, and time’s inevitable flow."
Playing
Duchamp by Scott Kildall
The American artist Scott Kildall, exhibiting for the first time
in the UK, has fused the two worlds of art and chess in an
homage to Marcel Duchamp, chess master and artist recognised for
shifting the paradigm of conceptual art. Using the recorded
matches of Duchamp's 72 tournament games, Kildall has modified
an open source chess engine to play chess as if it were Marcel
Duchamp. By sitting down to this game of computer chess,
visitors interact with the ghost of Marcel Duchamp, whose love
for chess rivalled his attraction to art.
Furtherfield invites you to come and play because as Duchamp
said: “The creative act is not performed by the artists
alone”.
Going the distance for fine
dining with global friends
To accompany this exhibition, in June, Furtherfield will be
hosting two telematic dinner parties with the aim to create a
co-presence dining experience with our remote friends mediated
by digital technologies (network connections, projections,
laptops and sonified objects). As food is the greatest mediator,
we aspire to a satisfying remote connection through the frame of
the dining experience.
Contact ale@furtherfield.org
for details on how to become a dinner guest.
Scott Kildall
Scott Kildall is cross-disciplinary artist working with video,
installation, prints, sculpture and performance. He gathers
material from the public realm to perform interventions into
various concepts of space.
Scott has a Bachelor of Arts in Political Philosophy from Brown
University and a Master of Fine Arts from the School of the Art
Institute of Chicago through the Art & Technology Studies
Department. He has exhibited his work internationally in
galleries and museums and received fellowships, awards and
residencies from organisations including the Kala Art Institute,
The Banff Centre for the Arts, Turbulence.org and Eyebeam Art +
Technology Center.
Scott is a founding member of Second Front — the first
performance art group in Second Life. He is an
artist-in-residence at Recology San Francisco. He currently
resides in San Francisco.
More information: www.kildall.com
Nathaniel Stern
Nathaniel
Stern (USA / South Africa) is an experimental installation and
video artist, net.artist, printmaker and writer. He has produced
and collaborated on projects ranging from interactive and
immersive environments, mixed reality art and multimedia
physical theatre performances, to digital and traditional
printmaking, concrete sculpture and slam poetry.
Nathaniel has held solo exhibitions at the Johannesburg Art
Gallery, Johnson Museum of Art, Museum of Wisconsin Art,
University of the Witwatersrand, University of
Wisconsin-Milwaukee, and several commercial and experimental
galleries throughout the US, South Africa and Europe. His work
has been shown at festivals, galleries and museums
internationally, including the Venice Biennale, Sydney Museum of
Contemporary Art, International Symposium for Electronic Art,
Transmediale, South African National Gallery, International
Print Center New York, Milwaukee Art Museum and more. He is an
Assistant Professor in the Department of Art and Design at the
University of Wisconsin - Milwaukee.
More information: http://nathanielstern.com
Download
Wikipedia
Art: Citation as Performative Act (Creative Commons licensed) at
http://wikipediaart.org/Citation-as-Performative-Act.pdf
by Scott Kildall and Nathaniel
Stern, to be included as a chapter in ’ Wikipedia: Critical
Point of View. Eds. Geert Lovink and Nathaniel Tkacz. Amsterdam:
Institute of Network Cultures (University of Amsterdam), 2011.
Forthcoming Print.
Furtherfield, Unit A2, Arena Design Centre, 71 Ashfield Rd,
London N4 1NY, +44 (0) 2088022827
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